In 1992 ARRI introduced the ARRIFLEX 16 SR3, engineered specifically for Super 16 cinematography and soon becoming the industry standard for independent features and high-end television Crystal-controlled speeds include precise 24 fps and 25 fps, with frame rates reaching up to 75 fps. The camera features a variable mirror shutter adjustable from 45° to 180°,…
Category Archives: New @ OCTAMAS
The Aaton XTR Prod was designed for balanced shoulder operation. It is compact, lightweight, reliable, and exceptionally quiet for a handheld Super 16 camera at around 20 dB It features selectable mirror shutter angles, variable crystal-controlled speeds up to 75 fps and a PL mount Our package includes the OCTAMAS Gear Aaton Power Box, allowing…
The Iron Glass Carl Zeiss Jena lenses are based on classic German optical designs but were manufactured in the DDR, an origin that gives them their distinctive look They are warm and deliver a gentle overall softness with pleasing focus fall-off and subtle vignetting, along with some chromatic aberration and a highly characterful bokeh. The…
The Canon RF Hybrid Zooms bring the same cinema-friendly design philosophy as the Hybrid Primes, closely matching their look and handling Both lenses feature an internal zoom design, meaning the lens does not extend while zooming and the physical length stays constant. Combined with a clickless iris ring, constant f2.8 aperture, silent dual Nano USM motors…
The Canon RF Hybrid Primes are designed for shooters moving seamlessly between stills and cinema. With a clickless iris ring, fast f1.4 aperture and a fully unified physical design. All lenses have an identical size and have a 67 mm filter thread with only minimal weight differences across the set. This makes lens changes on…
The Canon EOS C50 is a compact and highly versatile cinema camera built around a 3:2 full-frame CMOS sensor, offering 7K Open Gate recording, dual base ISO 800 / 6400 and over 15 stops of dynamic range It records 12-bit Cinema RAW Light internally and supports Canon Log 2 and Canon Log 3 across multiple…
The Fujinon GF 32–90mm T3.5 is a large-format zoom lens designed for the locking G mount of the Eterna system from @Fujifilm, offering a versatile focal range from semi-wide angle to short telephoto Covering 32–90mm and featuring autofocus, a built-in servo zoom, and an optical image stabilization (OIS) system it is well suited for productions…
The Leitz Thalia 65 lenses are based on Leica S medium-format optics, originally designed with a strong focus on rendering people above all else. They are clear and detailed without feeling overly sharp, delivering natural, smooth skin tones They exhibit a gentle field curvature, subtly guiding the viewer’s attention toward the centre through a gradual…
The Dulens APO Cambrian Primes are designed from the ground up for today’s large and medium format digital cinema cameras. Their expansive image circle fully covers the Fuji GFX Eterna 55 and even the ARRI Alexa 265 sensor. Where many large format lens sets rely on rehoused medium format still lenses, often limited by smaller…
The Laowa 8–15mm T2.9 Full Frame Fisheye Zoom is an ultra-wide cine lens offering a constant T2.9 aperture across its entire zoom range. Designed for full-frame sensors, it delivers a dramatic 180°+ field of view with two distinct fisheye looks At 8mm the lens creates a circular fisheye image with a full 180° angle of…