The Canon RF Hybrid Zooms bring the same cinema-friendly design philosophy as the Hybrid Primes, closely matching their look and handling Both lenses feature an internal zoom design, meaning the lens does not extend while zooming and the physical length stays constant. Combined with a clickless iris ring, constant f2.8 aperture, silent dual Nano USM motors…
Category Archives: New @ OCTAMAS
The Canon RF Hybrid Primes are designed for shooters moving seamlessly between stills and cinema. With a clickless iris ring, fast f1.4 aperture and a fully unified physical design. All lenses have an identical size and have a 67 mm filter thread with only minimal weight differences across the set. This makes lens changes on…
The Canon EOS C50 is a compact and highly versatile cinema camera built around a 3:2 full-frame CMOS sensor, offering 7K Open Gate recording, dual base ISO 800 / 6400 and over 15 stops of dynamic range It records 12-bit Cinema RAW Light internally and supports Canon Log 2 and Canon Log 3 across multiple…
The Fujinon GF 32–90mm T3.5 is a large-format zoom lens designed for the locking G mount of the Eterna system from @Fujifilm, offering a versatile focal range from semi-wide angle to short telephoto Covering 32–90mm and featuring autofocus, a built-in servo zoom, and an optical image stabilization (OIS) system it is well suited for productions…
The Leitz Thalia 65 lenses are based on Leica S medium-format optics, originally designed with a strong focus on rendering people above all else. They are clear and detailed without feeling overly sharp, delivering natural, smooth skin tones They exhibit a gentle field curvature, subtly guiding the viewer’s attention toward the centre through a gradual…
The Dulens APO Cambrian Primes are designed from the ground up for today’s large and medium format digital cinema cameras. Their expansive image circle fully covers the Fuji GFX Eterna 55 and even the ARRI Alexa 265 sensor. Where many large format lens sets rely on rehoused medium format still lenses, often limited by smaller…
The Laowa 8–15mm T2.9 Full Frame Fisheye Zoom is an ultra-wide cine lens offering a constant T2.9 aperture across its entire zoom range. Designed for full-frame sensors, it delivers a dramatic 180°+ field of view with two distinct fisheye looks At 8mm the lens creates a circular fisheye image with a full 180° angle of…
Built around a 43.8 × 32.9 mm GFX 102 MP CMOS II HS sensor (approximately 1.7× larger than Full Frame), this camera delivers true Large Format look in a surprisingly compact body that weighs just 2.0 kg. With 14+ stops of dynamic range in F-Log2 /C and up to 8K resolution, the camera holds detail…
With Super 35 coverage, the @angenieuxlenses Optimo Style Zooms deliver clean, well-controlled distortion and no breathing. They stay sharp even when shot wide open, showing only a subtle fall-off toward the corners, and they focus as close as 60 cm Despite their performance, both lenses remain impressively compact. At just 1.92 kg, they’re a perfect…
The new focal lengths carry on the classic look that defined an era of cinematographySharp wide open, yet rich with timeless vintage character, flattering skin tones, beautiful flares, and distinctive bokeh Set of:NEW! 14mm T2.016mm T2.124mm T2.1NEW! 28mm T2.132mm T2.140mm T2.150mm T2.185mm T2.1100mm T2.1NEW! 135mm T2.1NEW! 180mm T3.0 🚀 Come by for a Test and Coffee ☕ and…