NEWS - OCTAMAS Rental

RED KOMODO-X

- 6K Super 35mm global shutter sensor - 16.5+ stops dynamic range - 80 FPS in 6K and 120 FPS in 4K. - Wide range of recording options including REDCODE RAW and Apple ProRes - Native Micro V-Lock system...

ARRI ALEXA 35

The new Super 35 sensor Ø 33.96 mm offers up to 4.6K 3:2 Open Gate (4608 x 3164)....

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LAOWA PeriProbe 24mm T14

Full-Frame Optics
Interchangeable lens tube with a 90° Module & direct view module
Waterproof Barrel
2x Magnification
2cm working distance
360° Rotation
408mm length

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DENZ FDC Camera Collimator

The DENZ FDC multi ensures that the back focus of the camera is always correct.

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SONY FX3 Full Frame

FX3 Tophandle with audio Inputs Cage for Sony FX3 2x CFexpress Card Type A 160GB 2x SDXC Card UHS-II 256GB CFexpress Type A/SD Card Reader 3x Sony NP-FZ100 Battery Sony Battery Charger INDIVIDUAL PACKAGES AVAILABLE Full Frame 120 fps @4K VV 16:9 Compact + lightweigt1,015 kg 15+ Stops (S-Log3) 12 megapixel...

DZOFILM Vespid Retro Full Frame

DZOFILM Vespid Retro 16mm T2.8 FF DZOFILM Vespid Retro 25mm T2.1 FF DZOFILM Vespid Retro 35mm T2.1 FF DZOFILM Vespid Retro 50mm T2.1 FF DZOFILM Vespid Retro 75mm T2.1 FF DZOFILM Vespid Retro 100mm T2.1 FF DZOFILM Vespid Retro 125mm T2.1 FF Small and compact: Between 732g – 940g and...

COOKE PANCHRO/i CLASSIC

Vintage with up to date mechanics: Optically designed to provide the classic and infamous vintage Speed Panchro look of the 1920’s as well as the Cooke Look....

CANON FD Zoom 50-300mm T4.9 rehoused by ANCIENT Optics Full Frame

The perfekt companion for our Vintage Primes...

Kamerabus direkt bei OCTAMAS rental

OCTAMAS rental teamed up wit SET Management

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NIKON Nikkor AI-S rehoused by ZERO OPTIK Full Frame

15mm AI-S T3.9
20mm AI-S T3.0
24mm AI-S T2.2
28mm AI-S T2.2
35mm AI-S T1.5
50mm AI-S T1.3
85mm AI-S T1.5
105mm AI-S T1.9
135mm AI-S T2.1

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OLYMPUS OM Zuiko_rehoused_ZERO-OPTIK_OCTAMAS

OLYMPUS OM Zuiko rehoused by ZERO OPTIK Full Frame

18mm T3.8
21mm T2.2
24mm T2.2
28mm T2.2
35mm T2.2
40mm T2.2
50mm T1.3
50mm T2.2 Macro
85mm T2.1
90mm T2.2 Macro
100mm T2.1
135mm T2.9

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RED V-RAPTOR 8K VV + 6K S35

120 fps @ 8K VV 17:9 (8192 x 4320)
140 fps @ 7K 17:9 (7168 x 3780)
160 fps @ 6K 17:9 (6144 x 3240)
192 fps @ 5K 17:9 (5120 x 2700)
240 fps @ 4K 17:9 (4096 x 2160)
320 fps @ 3K 17:9 (3072 x 1620)
480 fps @ 2K17:9 (2048 x 1080)
600...

NIKON Nikkor AI-S rehoused by ZERO OPTIK Full Frame

24mm AI-S T2.2
35mm AI-S T1.5
50mm AI-S T1.3
85mm AI-S T1.5
More focal length are coming for a full set from 15mm to 135mm
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CANON FD rehoused by ZERO OPTIK Full Frame

14mm FD n T3.1
20mm FD S.S.C. T3.1
24mm FD S.S.C. Aspherical T1.6
28mm FD S.S.C. T2.2
35mm FD S.S.C. (I) Concave T2.2
55mm FD S.S.C. Aspherical T1.4
85mm FD S.S.C. Aspherical T1.3
100mm FD n T2.1
135mm FD n T2.1
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Drehen ohne Crew mit Drop Kit

Drehen international und in Coronazeiten

Regisseur in New York – Agentur in Los Angeles – Service-Produktion in der Schweiz – DP in London – Talent in der Schweiz

Nur ein Assi vor Ort ohne zwingenden Kontakt zum Talent
Alle beteiligten bleiben in ihren Aufenthaltsländern, kein Quarantänezeitverlust, etc.
Maximale Bildqualität wie gewohnt
Genauere Informationen bei Alexander...

Mehr Platz & Komfort für dich

Viel Platz
Mehr Equipment
Effizienz und Sicherheit

Parkplätze für PWs und LKWs
Cine Shop (was das AC Herz begehrt)
1min entfernt warme Menüs, Sandwiches und Süsses
2min vom Leuchtturm und FTK
grosser und kleiner Warenlift

LOMO 35OPF7-1 25-250MM F/3.5 ZOOM PL

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ALPA SWITAR Cine Lenses PL Lenses OCTAMAS Rental

ALPA SWITAR CINE PRIMES

T 3.5 35mm, T2.8 45mm, T3.5 55mm, T2.0 80mm, T2.8 140mm, T4.0 210mm
Image Circle: 70mm
Iris with 15 aperture blades for an almost circular aperture and a creamy bokeh
Canon Log 2 and 3 Support
compact with low minimum distance optimal also for handheld and Steadicam use
homogeneous and consistent imaging over all focal...

FUJIFILM GFX100

43.8mm x 32.9mm BSI CMOS sensor
Movie Recording: internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, 4K30p 4:2:2 10-bit via HDMI output
Image File Formats: JPEG, Raw, TIFF
our camera is rigged in ALPA XO EXOSKELETON Cage
PL or G-Mount available

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BEBOB V-MOUNT MICRO BATTERIES

Bebob V98micro 14.4V 98Wh V-Mount Battery
Bebob V150micro 14.4V 147Wh V-Mount Battery
Supports ARRI, RED & Sony power data protocol
compact and lightweight, optimal for handheld and Steadicam use

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ATECH BLACKJET CFexpress Reader OCTAMAS Rental

ATECH BLACKJET CFEXPRESS TYPE B/ XQD THUNDERBOLT 3 READER

provides speeds up to 40Gbps via Thunderbolt 3
Supported Media Cards: Sony XQD, Sony XQD 2.0, CFexpress Card Type B
Ingest footage with speeds up to1600 MB/s (CFexpress)

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CANON EOS C500 MARK II

5.9K Full-Frame CMOS Sensor
60fps @ 5.9K RAW
Canon Log 2 and 3 Support
Super 35mm and Super 16mm Crop Modes
Over 15 stops of Dynamic Range
broad Tonality, natural, smooth Skin Tones
Canon Cinema RAW Light and XF-AVC 10-bit Recording
Proxy Recording
Electronic Image Stabilization (IS)
4 Channel Audio Recording
Anamorphic Lens Support
PL-Mount
EF-Mount with Dual Pixel CMOS AF (Touch...

ARRI ALEXA MINI LF

ALEV 3 A2X Full Frame Sensor 1.43:1
36.70 x 25.54 mm, 4448 x 3096 photosites à 8.25 μm
Lower noise with higher usable sensitivity
ARRI color science for natural skin tones
14+ stops over the entire sensitivity range
EI 160 to EI 3200, EI 800 base sensitivity
internal uncompressed MXF/ARRIRAW or MXF/Apple ProRes
Codex High Density Encoding...

SCHNEIDER HOLLYWOOD BLACK MAGIC 4X5.65

Schneider Hollywood Black Magic 4x5.65 Filter Set ...

ARRI MFF-2

ARRI Mini Follow Focus MFF-2

lightweight, single-sided follow focus unit, easily adjustable
2:1 knob-to-gear ratio

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SMALLHD CINE 7 MONITOR

SmallHD Cine 7 Full HD 7-inch Touchscreen Monitor

Maximum Brightness: 1800 nits
With optional camera control software upgrade for RED and/or ARRI.

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BLACKMAGIC POCKET CINEMA CAMERA 6K EF

Blackmagic Pocket Cinema Camera 6K EF

Super 35 size sensor
13 stops of dynamic range
Dual Native ISO 400 & 3200

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ZEISS SUPREME PRIME FULL FRAME

ZEISS SUPREME PRIME T1.5 FULL FRAME

T1.5: 135mm

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TOKINA VISTA ONE T1.5 FULL FRAME

TOKINA Vista One T1.5 Full Frame

T1.5: 18mm, 25mm, 35mm, 50mm, 85mm, 105mm
Super Fast T1.5 Aperture
Single coated Front Element
High Resolution- Low Distortion

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ANAMORPHICS

ATLAS LENS CO. ORION SERIES 2X ANAMORPHIC T2.0

B-Set arrived - Set is complete
Classic Anamorphic Look
T2.0: 32mm, 40mm, 50mm, 65mm, 80mm, 100mm
Painterly waterfall bokeh and signature but controlled flare

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VENUS OPTICS LAOWA 24MM F/14 PROBE LENS PL

Venus Optics Laowa 24mm f/14 Probe Lens PL

Macro Probe Cine-Mod Version
covers Full Frame
waterproof front barrel
LED Ring Lite
Super lightweight

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ZEISS SUPREME PRIME FULL FRAME

ZEISS SUPREME PRIME T1.5 FULL FRAME

T1.5: 25, 29, 35, 50, 65, 85, 100mm

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COOKE S7/I FULL FRAME PLUS

COOKE S7/i FULL FRAME PLUS T2.0

T2.0: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
imperial und metric focus scales available

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SCUBACAM SPLASHBAG UNDERWATER HOUSING

Scubacam Splashbag Underwater Housing for RED, ARRI Alexa Mini, Amira, SONY Venice, etc. with Air Jet System, waterproof 5" HD LCD Monitor Max Depth: no more than 4 m

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TOKINA CINEMA T2.9 11-20MM ZOOM PL METRIC

Tokina Cinema T2.9 11-20mm Zoom PL metric

Covers Full Frame from 16 to 20mm
Super Wide-Angle, Low Distortion

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ARRI ULTRASONIC DISTANCE MEASURE UDM-1

ARRI Ultrasonic Distance Measure UDM-1

Measures & Displays Focus Distances

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CMOTION PAN-BAR-ZOOM

cmotion pan-bar-zoom

small and versatile zoom motor controller
compatible with cforce motors

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HOLLYLAND MONITOR CAGE V1

HOLLYLAND MONITOR CAGE V1 for 5-9inch Monitors, thin and light weight 2 D-Tap battery buckles included to supply power to two devices at the same time

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ATOMOS SHOGUN FLAME 7”

Atomos Shogun Flame

1920 x 1200 Touchscreen Display
4K HDMI and 12G-SDI Inputs/Outputs
1500 cd/m² Brightness

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ANGÉNIEUX TYPE EZ SERIES

Angénieux TYPE EZ SERIES Zoom Lenses

Angénieux Type EZ-2 Zoom S35 15-40mm T2.0

Angénieux Type EZ-1 Zoom S35 30-90mm T2.0

Angénieux Type EZ-2 Zoom FF 22-60mm T3.0

Angénieux Type EZ-1 Zoom FF 45-135mm T3.0

Lightweight (2,150g / 4.7 pounds)
Internal focusing & zooming
Extremely fast T2 across zoom range with no ramping

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RICHARD GALE OPTICS CLAVIUS LENSES

Richard Gale Optics CLAVIUS Lenses

T2.3 Full Frame: 28mm, 38mm, 58mm, 88mm
Full Frame / VV coverage
Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc)

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ANAMORPHICS

ATLAS LENS CO. ORION SERIES 2X ANAMORPHIC T2.0

Classic Anamorphic Look
True Front Anamorphic
T2.0: 40, 65, 100mm
Painterly waterfall bokeh and signature but controlled flare

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SMALLHD 702 BRIGHT

Bright and Sharp
Daylight viewable, 1000 nits
True Front Anamorphic
7”, 1920x1080

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FULL FRAME SENSOR

VISTA VISION MONSTRO Sensor in RED WEAPON 8K VV

40.96 mm x 21.60 mm (Diag: 46.31 mm)
great dynamic range
improved noise performance
60 fps at 8K
complete Arri accessories

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COLLIMATOR

Auto-Collimator from Hanse Inno Tech
300+ LP/mm 8K Siemens Star
CA: See and even measure Chromatic Aberrations
Color Matching: Check any lens set or zoom for colour matching and finding the look, whether cool, neutral or warm.
5 axis of alignment

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SIGMA CINE HIGH SPEED PRIMES

FULL FRAME, Vista Vision
T1.5: 20, 24, 35, 50, 85mm
T2.0: 14 und 135mm
High image performance
Compact, light-weight

DOG SCHIDT OPTICS APOGEE

FULL FRAME
28, 38, 58, 88mm
Historic optical elements: Helios 58
Classical lower contrast rendering
Ultra responsive to flaring
Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc)
f/2.0 aperture throughout the range
Pleasing balance of resolution and character

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TOKINA CINEMA VISTA T1.5

Rental + Reseller in Switzerland

FULL FRAME, Vista Vision
T1.5
35mm, 85mm (25, 50mm in November, 18mm beginning next year)

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TOKINA CINEMA ZOOM 16-28MM T3.0

FULL FRAME
28cm close-focus
Curved iris for beautiful, soft bokeh

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TOKINA CINEMA 100MM T2.9 MACRO

FULL FRAME
1:1 macro
T2.9 to T32
T-stop / distance guide on the side of the lens for T-stop compensation

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TOKINA CINEMA ZOOM 11-16MM T3.0

Ultra-wide angle
Covers S35
Compact, light-weight

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TOKINA CINEMA 1.6X EXPANDER

1.6x Extender
1.6x Expander: increases the image circle of S35 PL lenses to Full Frame, Vista Vision sensor coverage
7-element optical design to ensure the integrity of the original lens’ performance
Light fall off is a manageable 1.36 stops

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TOKINA HYDROPHILIC COATING FILTER

Protects from waterdrops
When water hits the filter, it spreads into a film over the glass instead of forming droplets. This helps to maintain a clear view under a variety of weather conditions and for taking photos or video around water.
https://vimeo.com/77810604

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SCHNEIDER RHODIUM FSND FILTER

Truly neutral, no color shifts
Up to 10 stops: 0.3 - 3.0
Full Spectrum Neutral Density: high-end ND filter line for the critical color standards, that controls the IR within the full visible spectrum and into the near infra-red.
Neutrality-Vectorscope Test: https://www.schneideroptics.com
RHOdium FSND Comparison Test: https://www.schneideroptics.com

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RED WEAPON 8K S35 CF HELIUM

Stark verbessertes Rauschverhalten
Gleichzeitige Aufnahme von RAW & ProRes o. DNxHD
60 fps bei 8K

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CELERE HS

Rental + Reseller in Switzerland

Full Frame lenses (cover easily RED 8K, ARRI Open Gate)
T1.5 High Speed
18.5, 25, 36, 50, 85mm
Colormatched
Small & Lightweight: 1050g: 25, 36, 50, 85mm, 1285g: 18.5mm
No rebalancing on Gimbals: same weight, size and housing (25, 36, 50, 85mm)
Made in Germany
pleasing out-of-focus textures
beautiful skin tones
the right sharpness
gorgeous, soft...

LOMO SUPER SPEED

22mm T1.6

28mm T1.5

35mm T1.4

50mm T1.4

75mm T1.6

100mm T2.9

95mm Fronts
PL-Mount
ARRI Standard 32 Pitch Focus Gear
Serviced by Les Bosher

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RED EPIC-W 8K S35 HELIUM

Der neue HELIUM Sensor ist angekommen.

Stark verbessertes Rauschverhalten.
Geichzeitige Aufnahme von RAW & ProRes o. DNxHD

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ARRI ALEXA MINI

Unsere zwei ALEXA Minis sind eingetroffen.

Sehr leichtes Karbongehäuse
Wechselbare Objektivanschlüsse (PL, EF, B4)
Interne 4:3 & ARRIRAW Aufnahme
Integrierte Objektiv Motorsteuerung und ND Filter
Bis zu 200 fps bei voller Bildqualität

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FREEFLY ALTA

Drohne für ARRI ALEXA Mini oder RED WEAPON mit PL-Mount Optik und Arri Funkschärfe. Auf Wunsch mit sehr erfahrenen Piloten.

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MÖVI M15, EASYRIG VARIO 5 & SERENE

Gimbal für ARRI ALEXA Mini oder RED WEAPON mit PL-Mount Optik und Arri Funkschärfe. Auf Wunsch mit sehr erfahrenem Operator.

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OCONNOR 2560 FLUID HEAD

Funktionsweise des 2575, bei geringerem Gewicht
150mm Schale
Connor CINE HD und CINE HD Baby Stativ

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ARRI FOLLOW FOCUS FF-4

Industry Workhorse
15mm lightweight and 19mm studio rod support

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ARRI KOMPENDIUM LMB-25

Clamp-on
leicht
2 o. 3 Filterbühnen, 4x4 / 4x5.65"
Top flag & Maskenset

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ARRI ANTI-REFLECTION FRAME

Die neuen Antireflektion-Filterhalter (4x5.65”) ermöglichen die Verwendung von ein oder zwei Filtern in abgewinkelter Lage, somit können einfach und elegant unerwünschte Reflexionen reduziert werden.

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