OMNI Creative Filter Accessories

The OMNI Accessories are a versatile set of tools designed to enhance the mood and atmosphere of your shots.  The Effect Wands and Multicolor Crystals and Mirrors, produce prismatic color flares and fractal patterns.  The Crisscross Rainbow Films deliver a rainbow effect across the frame.  Additionally, The Lumi Films and...

Zacuto Kameleon EVF Pro

Featuring a high-resolution and contrast micro-OLED display for precise color representation, this viewfinder offers a wide range of compatibility thanks to its HDMI and SDI inputs. It also includes all the necessary tools for exposure control: Falsecolor, Waveform, Vectorscope, Zebra, Histogram, and LUTs, along with other useful tools such as...

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Angenieux EZ Zooms

The EZ-1 and EZ-2, with their extremely wide coverage and minimal distortion, offer a cinematic look that matches the Optimo Series with an Close focus distance of only 60cm. Theses lenses have an innovative modular design that allows the rear lens group to be exchanged between S35 and Vista Vision...

LAOWA 1.33X Rear Anamorphic Adapter

This adapter allows you to transform spherical lenses into subtle anamorphics. Unlike anamorphic lenses, this rear adapter doesn’t alter the horizontal field of view but gently compresses the image horizontally, resulting in unique anamorphic like bokeh and flares. With a desqueeze ratio of 1.33x, it allows you to expand your...

Laowa 12mm

This extremely small and lightweight wide-angle lens covers Vista Vision sensors and offers a 122-degree angle of view. It does so with close to zero distortion at T2.9 aperture and a close focus distance of only 93mm. Come by for a #testandcoffee ☕

Laowa Nanomorph 1.5X Anamorphic Zooms & 1.3X Front Anamorph Adapter

The Nanomorph 1.5X Zooms are remarkable compact and lightweight anamorphic parfocal zoom lenses designed for S35 sensors. Weighing only 1.5 kg and featuring a Close Focus of 40 and 80 cm, these lenses deliver exceptional sharpness and minimal chromatic aberration, even when wide-open at T2.9. With a 1.5x constant squeeze...

ZEISS Supreme Primes

The Zeiss Supreme Prime lenses are renowned for their distinctive look, characterized by smooth bokeh and natural focus fall-off. They excel at capturing skin tones with a gentle sharpness that maintains an organic appearance. Designed to cover full-frame sensors and beyond, the Zeiss Supreme Primes offer precise color matching and...

Laowa Aurogon 10-50x NA0.5 Supermicro APO FF Lens

The Laowa Aurogon is the new supermicro lens from Laowa, enabling incredible macro shots that were previously only achievable with microscopes. It features seamlessly interchangeable magnification tubes for 10x, 20x, 35x, and 50x magnification. Remarkably, these magnifications are fully compatible with full-frame cameras. Its APO design effectively eliminates chromatic aberrations,...

Canon 8–64mm S16 T2.4

Canon’s 8-64mm T2.4, also known as “The Hurt Locker” lens, is a cinematic powerhouse designed for Super 16mm. It provides a clean and sharp look while maintaining a distinct vintage character. With low contrast and a slightly warm tone, it offers a flattering effect on portraits. Notably, it boasts an...

Arri/Zeiss Standard 16mm Format 8mm T2.1

The same amazing optical flavor so many filmmakers know and love about Zeiss Super Speeds and Zeiss B Speeds is inherent in the 16 version of this now legendary lens. It is very sharp, even wide open, has medium contrast, excellent close-focus, has beautiful lens flares, and as an added...

RED V-Raptor [X]

The V-RAPTOR [X] sets a new standard in the world of digital cinema as the first large format global shutter camera available.  Featuring the 8K VV GLOBAL SHUTTER SENSOR, the V-RAPTOR [X] delivers an impressive 17+ stops of dynamic range, combining the frame rates, low-light performance, and resolution of the...

Iron Glass MKII Soviet Lens Set

The Iron Glass Soviet lenses offer a blend of vintage Soviet glass with modern mechanics, resulting in a unique aesthetic characterized by lower contrast, dreamy flares, and swirly bokeh that covers full-frame and beyond. In our set, we’ve chosen to include the 85mm HELIOS 40-2 T1.5 instead of the usual...

Kippertie Revolva & Strata PL-ND

The Kippertie Strata and Revolva PL-ND Mounts performs a double duty by providing an integrated ND system and converting different mounts to the PL Mount Standard. Both, Revolva and Strata system, allow immediate switches between different ND Filters without affecting color, polarization, vignette or bokeh.  With the Kippertie Strata you...

Sony BURANO 

The Sony BURANO is a Full Frame versatile, lightweight, and compact 8.6K camera that captures beautiful, low-noise images under almost any lighting conditions. It features double native ISO (800 & 3200), 16-stop dynamic range and can capture 16-bit X-OCN LT compressed RAW internally using the same color science as the...

Blazar Remus 1.5x FF Anamorphic 

The Blazar Remus deliver Full Frame coverage with strong anamorphic characteristics and golden flares in a compact form factor. The lenses have a nice sharpness falloff, barrel distortion and distinct chromatic aberration, a close focus of 68 to 70 cm and the 1.5x desqueeze factor produces a nice oval bokeh. ...

Denz PLC MkII Lens Projector

In our new projector room, it is possible to test PL/LPL lenses, evaluating not just optical characteristics but also lens coverage. Our Denz projector showcases Siemens stars for both spherical and anamorphic lenses, line pair blocks, and other resolution and geometry symbols. We designed our projector cart from scratch to...

Laowa Ranger Lite T2.9 FF Zooms

Crafted with magnesium alloy, the Laowa Ranger Lite FF lenses are extremely lightweight, weighing only 1.2 kg each. They are also very compact, measuring less than 18 cm in length for the 28-75mm lens and less than 19 cm for the 75-180mm lens. In addition to offering a parfocal design...

Pancro Mitchell Diffusion Filter

Pancro Mitchell Diffusion Filter Often referred to as the actor’s best friend, the Mitchell Diffusion Filter softens undesirable features such as freckles, blemishes, and wrinkles, offering a vintage look, softening colors and cutting sharpness. Made with a patented process from a single piece of glass and featuring a unique wave...

Atlas Mercury 1.5x Full-Frame Anamorphic 

The Atlas Mercury Series deliver Full Frame coverage with an excellent close-focus and near-zero chromatic aberration in an ideal balance of compact size and light weight. These lenses are crisp and resolute, while maintain a vintage personality. They are optimised to bring out the beauty in a variety of skin...

Blackmagic Pocket Pro

The Blackmagic Pocket Cinema Camera 6K Pro is the newest, most compact camera from Blackmagic Design. It’s capable of 6K recording due to its Super 35 high resolution HDR sensor, with dual native ISO. The Camera features a EF lens mount and can direct record to USB‑C disks for extra long takes. This...

DJI RS 3 Pro & Advanced Ring Grip

The DJI RS 3 Pro features arms made of layered sheets of uncut carbon fiber, providing a lighter and stronger build compared to the RS 2. It incorporates the third generation of RS stabilization algorithms, offering a 20% increase in stability over RS 2. The SuperSmooth mode boosts motor torque...

Scuba SCU50 

Our new SCU50 Splashbag is compatible with Arri Alexa 35, Mini and Mini LF, Sony Venice, Red Raptor & DSMC2 and of course all smaller cameras as well. It can be operated down to 4m below the water surface. The 120x150mm optical glass front port is spacious enough to accommodate...

Zeiss B-Speed T1.4

Initially released in 1975, the B-Speeds were the first generation of Arriflex/Zeiss High Speed lenses and they were designed to be small, fast, sharp and to cover S35. The most striking feature of these lenses that makes them stand out among other Super Speed variations is their distinctive triangular iris...

Ovide KOKO

The new Ovide KOKO Video Assist Monitor has a 10″ HDR DCI-P3 touchscreen and is capable of recording 4 camera feeds (1080p60) in Apple ProRes 4-2-2 HQ format on removable SSDs.  Its specific Video Assist functions includes automatic Recording via SDI, Play In/Out points, Slate Metadata, Automatic Lens and Camera...

KOWA Prominar Anamorphic

The Kowa 2x front anamorphic lenses are one of the sharper vintage anamorphic options available, even wide open. They produce very three dimensional images, with a nice sharpness falloff and increased distortion towards the corners. These incredibly small, lightweight and character rich lenses are perfect for use in Gimbal, Steady Cam...

Laowa 24mm T8 2X Macro Pro2be

The Laowa 24mm Pro2be Set includes 3 Lenses, all of them with a maximum aperture of T8, almost 2 Stops faster than their predecessors. They are available in PL, EF, RF, E and L-Mount.  The Full Frame Periscope and the 35-Degree View are 360° rotatable and have a waterproof front....

MOVMAX Hurricane Raindeflector

The Hurricane is a Wind-driven Rain Deflector built for extreme weather conditions. With its strong air motor, hydrophobic double-sided coated glass, and straight waterfall wiper structure, there is no water gathering in the centre.  It works uninterrupted for up to 30 minutes, and thanks to its internal circulation switch, it...

Venus Optics Laowa Proteus 2x Anamorphic

The new 2x front anamorphic lenses by Laowa offer all the classic characteristics you look for in anamorphic glass, with an excellent contrast and image quality even wide open at T2. The silver coatings of these lenses have a subtle and neutral anamorphic flare, which will take on the color...

Cooke Technovision 25-250mm T2.3 S35

It’s the 27th of May 1976 and a rather stressed out Vittorio Storaro, still stuck in his hotel room, has just gotten off the just reinstalled line with an enraged Francis Coppola. The already legendary DP just got news of their set in Iba, on the western shore of Luzon,...

Voigtländer Zoomar 36-82mm T3.1

The Voigtländer Zoomar lens has a rich lens history as it’s the very first zoom lens for still photography released in 1959. It remains impressive by todays standards, it’s parfocal, low focus breathing and covering full frame. This single coated lens is sharp on center, with subtle fall-off towards the...

Tiffen Black Fog & Night Fog

The Black Fog and Night Fog Filters provide a soft highlight glow reminiscent of the classic double fog cinematic look.  The Black Fog Filter create a smooth, wide flare from highlights while maintaining rich blacks and preserving color vibrancy and shadow details. The Night Fog Filter replicates the atmospheric effects...

Hollyland Solidcom C1 Pro-8S

This wireless intercom system is a game-changer for seamless communication on set.  With its 8 Headsets, it keeps your crew connected and in sync. Its robust range of up to 350m and noise cancelling ensures uninterrupted communication, even in large and loud production spaces. It also offers an ultra lightweight...

ARRI/ZEISS Standard Speed MK II Primes T2.1 S35

Discover the timeless charm of the S35 ARRI/Zeiss Standard Speeds which set the industry standard for decades.  These lenses offer a classic look with beautiful flares and distinctive bokeh. They are sharp all the way open and yet lend a vintage, filmic quality, and are specially flattering when portrait faces....

ARRI/ZEISS Ultra Primes T1.9 S35

These lightweight lenses introduced to the market in 1998 offer surprising speed performance with low aberrations and field curvature, with excellent image quality retained across the entire Super 35 frame. The set includes: 16 | 20 | 24 | 28 | 32 | 40 | 50 | 65 | 85...

FREEFLY Ember S5K

This little green monster is our new S35 Higspeed Camera. It weighs just 800g and mesures only 100mm. Ember shoots 4K 800fps and 5K 600fps Apple ProRes directly on to its 4TB internal SSD. The compact and user-friendly camera offers a simple workflow that makes capturing high-speed imagery faster, easier,...

Canon + 10mm T3.1 Full Frame

This 10mm T3.1 ultra-wide rectilinear lens for full-frame sensors is one of Zero Optik’s outlandish lens projects.  Matches beautifully with vintage lenses like Canon FD, Olympus OM, Nikkor AI-S & Leica R and many more vintage lenses.

DZOFILM Gnosis VV Macro 

DZOFILM Gnosis 32mm Macro T.2.8 FFDZOFILM Gnosis 24mm Macro T.2.8 FFDZOFILM Gnosis 60mm Macro T.2.8 FFDZOFILM Gnosis 90mm Macro T.2.8 FF

RED KOMODO-X 

- 6K Super 35mm global shutter sensor  - 16.5+ stops dynamic range - 80 FPS in 6K and 120 FPS in 4K. - Wide range of recording options including REDCODE RAW and Apple ProRes - Native Micro V-Lock system

ARRI ALEXA 35

The new Super 35 sensor Ø 33.96 mm offers up to 4.6K 3:2 Open Gate (4608 x 3164).

LAOWA PeriProbe 24mm T14

Full-Frame Optics Interchangeable lens tube with a 90° Module & direct view module Waterproof Barrel 2x Magnification 2cm working distance 360° Rotation 408mm length

DENZ FDC Camera Collimator

The DENZ FDC multi ensures that the back focus of the camera is always correct.

SONY FX3 Full Frame

FX3 Tophandle with audio Inputs Cage for Sony FX3 2x CFexpress Card Type A 160GB 2x SDXC Card UHS-II 256GB CFexpress Type A/SD Card Reader 3x Sony NP-FZ100 Battery Sony Battery Charger INDIVIDUAL PACKAGES AVAILABLE Full Frame 120 fps @4K VV 16:9 Compact + lightweigt1,015 kg 15+ Stops (S-Log3) 12 megapixel...

DZOFILM Vespid Retro Full Frame

DZOFILM Vespid Retro 16mm T2.8 FF DZOFILM Vespid Retro 25mm T2.1 FF DZOFILM Vespid Retro 35mm T2.1 FF DZOFILM Vespid Retro 50mm T2.1 FF DZOFILM Vespid Retro 75mm T2.1 FF DZOFILM Vespid Retro 100mm T2.1 FF DZOFILM Vespid Retro 125mm T2.1 FF Small and compact: Between 732g – 940g and...

COOKE PANCHRO/i CLASSIC

Vintage with up to date mechanics: Optically designed to provide the classic and infamous vintage Speed Panchro look of the 1920’s as well as the Cooke Look.

CANON FD Zoom 50-300mm T4.9 rehoused by ANCIENT Optics Full Frame

The perfekt companion for our Vintage Primes

Kamerabus direkt bei OCTAMAS rental

OCTAMAS rental teamed up wit SET Management

NIKON Nikkor AI-S rehoused by ZERO OPTIK Full Frame

15mm AI-S T3.920mm AI-S T3.024mm AI-S T2.228mm AI-S T2.235mm AI-S T1.550mm AI-S T1.385mm AI-S T1.5105mm AI-S T1.9135mm AI-S T2.1

OLYMPUS OM Zuiko rehoused by ZERO OPTIK Full Frame

18mm T3.821mm T2.224mm T2.228mm T2.235mm T2.240mm T2.250mm T1.350mm T2.2 Macro85mm T2.190mm T2.2 Macro100mm T2.1135mm T2.9

RED V-RAPTOR 8K VV + 6K S35

120 fps @ 8K VV 17:9 (8192 x 4320)140 fps @ 7K 17:9 (7168 x 3780)160 fps @ 6K 17:9 (6144 x 3240)192 fps @ 5K 17:9 (5120 x 2700)240 fps @ 4K 17:9 (4096 x 2160)320 fps @ 3K 17:9 (3072 x 1620)480 fps @ 2K17:9 (2048 x 1080)600...

NIKON Nikkor AI-S rehoused by ZERO OPTIK Full Frame

24mm AI-S T2.2 35mm AI-S T1.5 50mm AI-S T1.3 85mm AI-S T1.5 More focal length are coming for a full set from 15mm to 135mm

CANON FD rehoused by ZERO OPTIK Full Frame

14mm FD n T3.1 20mm FD S.S.C. T3.1 24mm FD S.S.C. Aspherical T1.6 28mm FD S.S.C. T2.2 35mm FD S.S.C. (I) Concave T2.2 55mm FD S.S.C. Aspherical T1.4 85mm FD S.S.C. Aspherical T1.3 100mm FD n T2.1 135mm FD n T2.1

Drehen ohne Crew mit Drop Kit

Drehen international und in Coronazeiten Regisseur in New York – Agentur in Los Angeles – Service-Produktion in der Schweiz – DP in London – Talent in der Schweiz Nur ein Assi vor Ort ohne zwingenden Kontakt zum Talent Alle beteiligten bleiben in ihren Aufenthaltsländern, kein Quarantänezeitverlust, etc. Maximale Bildqualität wie...

Mehr Platz & Komfort für dich

Viel Platz Mehr Equipment Effizienz und Sicherheit Parkplätze für PWs und LKWs Cine Shop (was das AC Herz begehrt) 1min entfernt warme Menüs, Sandwiches und Süsses 2min vom Leuchtturm und FTK grosser und kleiner Warenlift

ALPA SWITAR CINE PRIMES

T 3.5 35mm, T2.8 45mm, T3.5 55mm, T2.0 80mm, T2.8 140mm, T4.0 210mm Image Circle: 70mm Iris with 15 aperture blades for an almost circular aperture and a creamy bokeh Canon Log 2 and 3 Support compact with low minimum distance optimal also for handheld and Steadicam use homogeneous and...

FUJIFILM GFX100

43.8mm x 32.9mm BSI CMOS sensor Movie Recording: internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, 4K30p 4:2:2 10-bit via HDMI output Image File Formats: JPEG, Raw, TIFF our camera is rigged in ALPA XO EXOSKELETON Cage PL or G-Mount available

BEBOB V-MOUNT MICRO BATTERIES

Bebob V98micro 14.4V 98Wh V-Mount Battery Bebob V150micro 14.4V 147Wh V-Mount Battery Supports ARRI, RED & Sony power data protocol compact and lightweight, optimal for handheld and Steadicam use

ATECH BLACKJET CFEXPRESS TYPE B/ XQD THUNDERBOLT 3 READER

provides speeds up to 40Gbps via Thunderbolt 3 Supported Media Cards: Sony XQD, Sony XQD 2.0, CFexpress Card Type B Ingest footage with speeds up to1600 MB/s (CFexpress)

CANON EOS C500 MARK II

5.9K Full-Frame CMOS Sensor 60fps @ 5.9K RAW Canon Log 2 and 3 Support Super 35mm and Super 16mm Crop Modes Over 15 stops of Dynamic Range broad Tonality, natural, smooth Skin Tones Canon Cinema RAW Light and XF-AVC 10-bit Recording Proxy Recording Electronic Image Stabilization (IS) 4 Channel Audio...

ARRI ALEXA MINI LF

ALEV 3 A2X Full Frame Sensor 1.43:1 36.70 x 25.54 mm, 4448 x 3096 photosites à 8.25 μm Lower noise with higher usable sensitivity ARRI color science for natural skin tones 14+ stops over the entire sensitivity range EI 160 to EI 3200, EI 800 base sensitivity internal uncompressed MXF/ARRIRAW...

SCHNEIDER HOLLYWOOD BLACK MAGIC 4X5.65

Schneider Hollywood Black Magic 4x5.65 Filter Set

ARRI MFF-2

ARRI Mini Follow Focus MFF-2 lightweight, single-sided follow focus unit, easily adjustable 2:1 knob-to-gear ratio

SMALLHD CINE 7 MONITOR

SmallHD Cine 7 Full HD 7-inch Touchscreen Monitor Maximum Brightness: 1800 nits With optional camera control software upgrade for RED and/or ARRI.

BLACKMAGIC POCKET CINEMA CAMERA 6K EF

Blackmagic Pocket Cinema Camera 6K EF Super 35 size sensor 13 stops of dynamic range Dual Native ISO 400 & 3200

ZEISS SUPREME PRIME FULL FRAME

ZEISS SUPREME PRIME T1.5 FULL FRAME T1.5: 135mm

TOKINA VISTA ONE T1.5 FULL FRAME

TOKINA Vista One T1.5 Full Frame T1.5: 18mm, 25mm, 35mm, 50mm, 85mm, 105mm Super Fast T1.5 Aperture Single coated Front Element High Resolution- Low Distortion

ANAMORPHICS

ATLAS LENS CO. ORION SERIES 2X ANAMORPHIC T2.0 B-Set arrived - Set is complete Classic Anamorphic Look T2.0: 32mm, 40mm, 50mm, 65mm, 80mm, 100mm Painterly waterfall bokeh and signature but controlled flare

VENUS OPTICS LAOWA 24MM F/14 PROBE LENS PL

Venus Optics Laowa 24mm f/14 Probe Lens PL Macro Probe Cine-Mod Version covers Full Frame waterproof front barrel LED Ring Lite Super lightweight

ZEISS SUPREME PRIME FULL FRAME

ZEISS SUPREME PRIME T1.5 FULL FRAME T1.5: 25, 29, 35, 50, 65, 85, 100mm

COOKE S7/I FULL FRAME PLUS

COOKE S7/i FULL FRAME PLUS T2.0 T2.0: 25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm imperial und metric focus scales available

SCUBACAM SPLASHBAG UNDERWATER HOUSING

Scubacam Splashbag Underwater Housing for RED, ARRI Alexa Mini, Amira, SONY Venice, etc. with Air Jet System, waterproof 5" HD LCD Monitor Max Depth: no more than 4 m

TOKINA CINEMA T2.9 11-20MM ZOOM PL METRIC

Tokina Cinema T2.9 11-20mm Zoom PL metric Covers Full Frame from 16 to 20mm Super Wide-Angle, Low Distortion

ARRI ULTRASONIC DISTANCE MEASURE UDM-1

ARRI Ultrasonic Distance Measure UDM-1 Measures & Displays Focus Distances

CMOTION PAN-BAR-ZOOM

cmotion pan-bar-zoom small and versatile zoom motor controller compatible with cforce motors

HOLLYLAND MONITOR CAGE V1

HOLLYLAND MONITOR CAGE V1 for 5-9inch Monitors, thin and light weight 2 D-Tap battery buckles included to supply power to two devices at the same time

ATOMOS SHOGUN FLAME 7”

Atomos Shogun Flame 1920 x 1200 Touchscreen Display 4K HDMI and 12G-SDI Inputs/Outputs 1500 cd/m² Brightness

ANGÉNIEUX TYPE EZ SERIES

Angénieux TYPE EZ SERIES Zoom Lenses Angénieux Type EZ-2 Zoom S35 15-40mm T2.0 Angénieux Type EZ-1 Zoom S35 30-90mm T2.0 Angénieux Type EZ-2 Zoom FF 22-60mm T3.0 Angénieux Type EZ-1 Zoom FF 45-135mm T3.0 Lightweight (2,150g / 4.7 pounds) Internal focusing & zooming Extremely fast T2 across zoom range with...

RICHARD GALE OPTICS CLAVIUS LENSES

Richard Gale Optics CLAVIUS Lenses T2.3 Full Frame: 28mm, 38mm, 58mm, 88mm Full Frame / VV coverage Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc)

ANAMORPHICS

ATLAS LENS CO. ORION SERIES 2X ANAMORPHIC T2.0 Classic Anamorphic Look True Front Anamorphic T2.0: 40, 65, 100mm Painterly waterfall bokeh and signature but controlled flare

SMALLHD 702 BRIGHT

Bright and Sharp Daylight viewable, 1000 nits True Front Anamorphic 7”, 1920x1080

FULL FRAME SENSOR

VISTA VISION MONSTRO Sensor in RED WEAPON 8K VV 40.96 mm x 21.60 mm (Diag: 46.31 mm) great dynamic range improved noise performance 60 fps at 8K complete Arri accessories

COLLIMATOR

Auto-Collimator from Hanse Inno Tech 300+ LP/mm 8K Siemens Star CA: See and even measure Chromatic Aberrations Color Matching: Check any lens set or zoom for colour matching and finding the look, whether cool, neutral or warm. 5 axis of alignment

SIGMA CINE HIGH SPEED PRIMES

FULL FRAME, Vista Vision T1.5: 20, 24, 35, 50, 85mm T2.0: 14 und 135mm High image performance Compact, light-weight

DOG SCHIDT OPTICS APOGEE

FULL FRAME 28, 38, 58, 88mm Historic optical elements: Helios 58 Classical lower contrast rendering Ultra responsive to flaring Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc) f/2.0 aperture throughout the range Pleasing balance of resolution and character

TOKINA CINEMA VISTA T1.5

Rental + Reseller in Switzerland FULL FRAME, Vista Vision T1.5 35mm, 85mm (25, 50mm in November, 18mm beginning next year)

TOKINA CINEMA ZOOM 16-28MM T3.0

FULL FRAME 28cm close-focus Curved iris for beautiful, soft bokeh

TOKINA CINEMA 100MM T2.9 MACRO

FULL FRAME 1:1 macro T2.9 to T32 T-stop / distance guide on the side of the lens for T-stop compensation

TOKINA CINEMA ZOOM 11-16MM T3.0

Ultra-wide angle Covers S35 Compact, light-weight

TOKINA CINEMA 1.6X EXPANDER

1.6x Extender 1.6x Expander: increases the image circle of S35 PL lenses to Full Frame, Vista Vision sensor coverage 7-element optical design to ensure the integrity of the original lens’ performance Light fall off is a manageable 1.36 stops

TOKINA HYDROPHILIC COATING FILTER

Protects from waterdrops When water hits the filter, it spreads into a film over the glass instead of forming droplets. This helps to maintain a clear view under a variety of weather conditions and for taking photos or video around water. https://vimeo.com/77810604

SCHNEIDER RHODIUM FSND FILTER

Truly neutral, no color shifts Up to 10 stops: 0.3 - 3.0 Full Spectrum Neutral Density: high-end ND filter line for the critical color standards, that controls the IR within the full visible spectrum and into the near infra-red. Neutrality-Vectorscope Test: https://www.schneideroptics.com RHOdium FSND Comparison Test: https://www.schneideroptics.com

RED WEAPON 8K S35 CF HELIUM

Stark verbessertes Rauschverhalten Gleichzeitige Aufnahme von RAW & ProRes o. DNxHD 60 fps bei 8K

CELERE HS

Rental + Reseller in Switzerland Full Frame lenses (cover easily RED 8K, ARRI Open Gate) T1.5 High Speed 18.5, 25, 36, 50, 85mm Colormatched Small & Lightweight: 1050g: 25, 36, 50, 85mm, 1285g: 18.5mm No rebalancing on Gimbals: same weight, size and housing (25, 36, 50, 85mm) Made in Germany...

LOMO SUPER SPEED

22mm T1.6 28mm T1.5 35mm T1.4 50mm T1.4 75mm T1.6 100mm T2.9 95mm Fronts PL-Mount ARRI Standard 32 Pitch Focus Gear Serviced by Les Bosher

RED EPIC-W 8K S35 HELIUM

Der neue HELIUM Sensor ist angekommen. Stark verbessertes Rauschverhalten. Geichzeitige Aufnahme von RAW & ProRes o. DNxHD

ARRI ALEXA MINI

Unsere zwei ALEXA Minis sind eingetroffen. Sehr leichtes Karbongehäuse Wechselbare Objektivanschlüsse (PL, EF, B4) Interne 4:3 & ARRIRAW Aufnahme Integrierte Objektiv Motorsteuerung und ND Filter Bis zu 200 fps bei voller Bildqualität

FREEFLY ALTA

Drohne für ARRI ALEXA Mini oder RED WEAPON mit PL-Mount Optik und Arri Funkschärfe. Auf Wunsch mit sehr erfahrenen Piloten.

MÖVI M15, EASYRIG VARIO 5 & SERENE

Gimbal für ARRI ALEXA Mini oder RED WEAPON mit PL-Mount Optik und Arri Funkschärfe. Auf Wunsch mit sehr erfahrenem Operator.

OCONNOR 2560 FLUID HEAD

Funktionsweise des 2575, bei geringerem Gewicht 150mm Schale Connor CINE HD und CINE HD Baby Stativ

ARRI FOLLOW FOCUS FF-4

Industry Workhorse 15mm lightweight and 19mm studio rod support

ARRI KOMPENDIUM LMB-25

Clamp-on leicht 2 o. 3 Filterbühnen, 4x4 / 4x5.65" Top flag & Maskenset

ARRI ANTI-REFLECTION FRAME

Die neuen Antireflektion-Filterhalter (4x5.65”) ermöglichen die Verwendung von ein oder zwei Filtern in abgewinkelter Lage, somit können einfach und elegant unerwünschte Reflexionen reduziert werden.

BIG PACK BLOCKAKKU

28,8V/14Ah switchable 14,4V/28Ah Tiefentladeschutz LCD Power Control Eingebautes Ladegerät

ACTIONPRODUCTS ECLIPSE 500 FUNKVIDEO

Funkvideo der neuesten Generation Unkomprimierte 3G SDI/HDMI HD Videosignalübertragung ohne Verzögerung 500ft+ (150m+) Reichweite

TENTACLE SYNC

Timecode Generator Syncs Video & Audio Super klein und leicht 30g Batterielaufzeit bis 40h Setup via Laptop o. Smartphone

STROM & FUNKVIDEO

Unsere RED WEAPONs sind jetzt mit den ActionProducts Power Modulen (Proteus, Electra, V-Mount) ausgestattet. Funkvideo System ActionProducts Eclipse 500 kann innen montiert werden. Eingebaute Pufferbatterie für Hot Swap 2x 12V D-Tap 2x 12V (2 or 4 pin Lemo) 1x 24V (reguliert Fisher 3 pin) 5V Anschluss 12V Power out (für...

RED WEAPON 6K CARBON FIBER

ProRes Aufnahme 4K & 2K RAW Aufnahme 16-bit RAW & ProRes gleichzeitige Aufnahme Automatische Sensorkalibrierung (Black Shading) Neues Kühlungssystem (leisere Kamera) Zwei LCD/EVF Ausgänge 3D LUT, 1D LUT

BRIGHT TANGERINE MISFIT ATOM

Perfektes Kompendium für Gimbal und Drohne 98g und 195g mit Sonnenblende Clip-on, 4x5.65, zwei Filterbühnen Verstellbare Top Flag keine Filterreflektionen, gekippte Filterbühnen 15mm Lightweight und 19mm Rohraufnahme grösseres Sichtfeld, bis 14mm Cooke S4