RENTAL

• 4.6K Super 35 sensor Ø 33.96 mm
• 17 stops of dynamic range
• 4K up to 120fps
• Side display, OLED viewfinder display and LCD fold out monitor
• Reveal Color Science
• ARRI Textures

Pro Package
LPL Mount with L-Bus, PL-LPL Adapter
Arri Viewfinder MVF-2
Arri EVF-Mount MVF-2 Set
2x 1TB Codex Compact Drive
Codex Compact Drive Reader
ARRI 15mm +19mm Support Set
Arri MAP-1, MAP-2, Top Handle
V-Mount PowerBox
600Wh Battery Power, Charger
Arri Power Supply Light

INDIVIDUAL PACKAGES AVAILABLE

Pro Package
Titanium PL LDS Mount with L-Bus
Arri Look Library
Arri Viewfinder MVF-1
Arri EVF-Mount MVF-1 Set
3x 256GB CFast 2.0-Cards
C-Fast 2.0 Reader
ARRI 15mm +19mm Support Set
Arri MAP-1, MAP-2, Top Handle
V-Mount PowerBox
600Wh Battery Power, Charger
Arri Power Supply Light

INDIVIDUAL PACKAGES AVAILABLE

• Global Shutter Full-Frame VV Sensor
• Lightweight & Compact DSMC3 Design
• Locking Canon RF Lens Mount
• Global Vision with Extended Highlights
• Phantom Track for Ghost Frame, Remapping
• Supports up to 8K120, 800 MB/s Video
• 17+ Stops of Dynamic Range
• Right-Side Assistant’s User Interface
• REDCODE Raw HQ, MQ, LQ Options
• USB-C & Dual 12G-SDI Ports

The V-RAPTOR[X] sets a new standard in the world of digital cinema as the first large format global shutter camera available.

Featuring the 8K VV GLOBAL SHUTTER SENSOR, the V-RAPTOR [X] delivers an impressive 17+ stops of dynamic range, combining the frame rates, low-light performance, and resolution of the V-RAPTOR line with the global shutter advancements of the KOMODO line.

With the addition of the RED Global Vision suite of tools, the V-RAPTOR [X] is pushed to new limits. The Extended Highlights provide a more subtle and softer highlight roll-off, allowing for better HDR finishes, while the innovative Phantom Track dual-capture feature streamlines virtual production environments, enabling the simultaneous capture of two tracks of video, one with and one without the virtual scenery

• Full-Frame VV Sensor
• 8K Full Frame, 6K S35 und 3K S16 Modes
• Lightweight & Compact DSMC3 Design
• Locking Canon RF Lens Mount
• 17+ Stops of Dynamic Range
• Right-Side Assistant’s User Interface
• REDCODE Raw HQ, MQ, LQ Options
• USB-C and Dual 12G-SDI Ports
• Compact + lightweight 1.83 kg/4.03 lbs

120 fps @ 8K VV 17:9 
140 fps @ 7K 17:9 
160 fps @ 6K 17:9 
192 fps @ 5K 17:9 
240 fps @ 4K 17:9 
320 fps @ 3K 17:9 
480 fps @ 2K17:9 
600 fps @ 2K 2.4:1 

• 6K Super 35mm global shutter sensor
• 16.5+ stops dynamic range
• 80 FPS in 6K and 120 FPS in 4K.
• Wide range of recording options including REDCODE RAW and Apple ProRes
• Native Micro V-Lock system

40 FPS at 6K 17:9 (6144 × 3240)
50 FPS at 6K 2.4:1 (6144 x 2592)
48 FPS at 5K 17:9 (5120 × 2700)
60 FPS at 4K 17:9 (4096 × 2160)
120 FPS at 2K 17:9 (2048 × 1080)

• 6K Super 35 mm Global Shutter
• 16+ stops
• 952gr Aluminium Alloy Body
• Wi-Fi for camera control and live preview
• RF Mount

Full Frame 8.6K at 30 fps
Full Frame cropped 6K at 60 fps
Super35 5.8K and Super35 cropped 4K at 120 fps

• Compact, Highly Mobile Design
• Pl and E Mount
• Full Frame CMOS 8.6K Sensor
• 16 Stops of Dynamic Range
• In-Body Image Stabilization|E & PL Mount
• Dual-Base 800/3200 ISO Range
• Electronically Variable 0.6-21ND Filter
• Phase Detection AF | Face/Eye Tracking
• Full Frame and S35 Sensor Modes
• Supports Multiple Frame Rates & Codecs
• Dual CFExpress Type B Card Slots

• 4K Full-Frame 10.2MP CMOS Exmor R Sensor
• DCI 4K60p | UHD 4K120 | 1080p240
• 15+ Stops of Dynamic Range in S-Log 3 EI
• 1.3x and 2.0x Anamorphic De-Squeeze
• Compact Form Weighs Less than 2 lb
• Phase Detection AF/Face Tracking/Eye AF
• Base 800-12,800 ISO / 320-409,600 Max
• S-Cinetone, S-Log3, HLG Modes
• 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
• Dual CFexpress Type A/SDXC Card Slots

• 12.1MP Full-Frame CMOS Exmor R Sensor
• UHD 4K up to 120 | 1080p up to 240
• Compact Form for Cage-Free Operation
• 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
• S-Cinetone/S-Log3/HLG, 15+ Stops DR
• Detachable 2 x XLR/TRS Adapter Handle
• Phase Detection AF/Face Tracking/Eye AF
• 80 to 409,600 Expanded ISO Range
• Dual CFexpress Type A/SDXC Card Slots

• 33-megapixel full-frame sensor
• 10 stops of dynamic range
• 4K recording at 60p
• up to 10 fps with AF/AE tracking
• 10-bit 4:2:2 internal recording
• Sony S-Log 3 and S-Cinetone
• Autofocus with 759 phase-detection points covering 94% of the frame
• real-time Eye AF for both humans and animals
• 5-axis in-body image stabilization

• Available in 6K FF & 8K FF 
• DL, M, E & PL Mounts
• 14+ stops of dynamic range
• 9-Stop Motorized ND Filters (0.3-2.7)
• Dual ISO
  – 8K 320/1600 ( 800/4000 with Dynamic Range Expansion on)
  – 6K 800/500
• 8K recording at 75p
• RAW recording
• LiDAR Autofocus | Automated Manual Focus | Manual Focus 
• Face Recognition 
• Integrated Video Transmission
• Integrated on board and remote control for Camera, Gimbal and Focus
• 4 Axis Gimbal (3 axis gimbal unit detachable with the Ronin 4D Flex)

• High-Speed Compact S35 Camera
• Global Shutter
• Up to 5K at 600 fps, 4K at 800 fps Video
• S35 Gpixel Sensor
• Sony E Mount
• Capture Video in 10-Bit ProRes Format
• 4TB Internal NVMe SSD, GPIO/Microfit CAN
• Wi-Fi Control via iOS
• 1080p24 HDMI Preview
• USB-C 3.2 Data Output

• Full spectrum OLPF
• Capable of filming into the infrared spectrum

Pro Package
PL-Mount
or Canon EF-, Nikon-Mount
RED DSMC2 Standard OLPF VV
2x 512GB RED MINI-MAG
RED MINI-MAG Reader USB 3.1
RED TOUCH 7.0″ LCD
RED DSMC2 EVF (OLED)
ARRI EVF Mount DSMC2
ARRI Top Plate, Top Handle
ARRI 15mm + 19mm DSMC2 Support Set
600Wh Battery Power, Charger
RED DSMC Power Adaptor 150W

INDIVIDUAL PACKAGES AVAILABLE

Pro Package
PL-Mount
or Canon EF-, Nikon-Mount
RED DSMC2 Standard OLPF VV
2x 512GB RED MINI-MAG
RED MINI-MAG Reader USB 3.1
RED TOUCH 7.0″ LCD
RED DSMC2 EVF (OLED)
ARRI EVF Mount DSMC2
ARRI Top Plate, Top Handle
ARRI 15mm + 19mm DSMC2 Support Set
600Wh Battery Power, Charger
RED DSMC Power Adaptor 150W

INDIVIDUAL PACKAGES AVAILABLE

• 6K Full-Frame BSI Sensor
• Triple Base ISO: 800 / 3200 / 12800
• 5-Axis Image Staibilation
• Full-Frame, Super 35, and Super 16 Modes
• RF Mount
• Dual Pixel CMOS AF II, including EOS iTR AF X for tack-sharp auto focus across the full sensor
• Internal Canon Cinema RAW Light and XF-AVC Recording
• 2 x CFexpress Type B  or SD Card Slots
• Canon Log 2 & 3, PQ, and HLG

• 5.9K Full-Frame CMOS Sensor
• Full-Frame, Super 35, and Super 16 Modes
• DCI 4K/2K, UHD 4K, and HD Modes
• PL and EF Mount
• Dual Pixel CMOS AF
• Internal Canon RAW Light Recording
• Internal XF-AVC Recording
• 2 x CFexpress Card Slots, SD Card Slot
• Canon Log 2 and Log 3 Gamma
• 4-Channel Audio Recording

• 4K S35 Dual Gain Output (DGO) CMOS Sensor
• DCI 4K 60p, Hi-Speed UHD 4K 120p/2K 180p
• Cinema RAW Light LT
• Canon Log 2, 3, PQ & HLG HDR Recording
• RF Lens Mount / EF with Optional Adapter
• 16+ Stops of Total Dynamic Range
• Built-In ND Filters / Auto ISO & Gain
• Dual Pixel CMOS AF & EOS iTR AF X
• 1 BNC Timecode
• 2 Mini-XLR Audio Inputs
• Dual SD Card Slots, LUT/Long GOP Support

• RF Mount
• 30.3MP Full-Frame CMOS Sensor
• DIGIC 8 Image Processor
• UHD 4K30 Video; C-Log & 10-Bit HDMI Out
• Dual Pixel CMOS AF, 5655 AF Points
• 3.69m-Dot OLED Electronic Viewfinder
• 3.15″ 2.1m-Dot Swivel Touchscreen LCD
• Expanded ISO 50-102400, 8 fps Shooting
• Wi-Fi and Bluetooth, SD UHS-II Card Slot
• Multi-Function Bar, Dual Pixel RAW

• 13-Stop Dynamic Range
• 6K Super35 HDR Sensor
• Dual Native 400 & 3200 ISO
• Record 6K 6144 x 3456 up to 50 fps
• Record up to 120 fps Windowed HD
• Dual XLR Inputs
• Built-In ND Filters
• Canon Active EF Mount
• Bright 1500 cd/m² Tilting HDR LCD
• CFast 2.0 & SD/UHS-II Card Slots
• USB Type-C Recording

Available with PL and EF Mount

• 13-Stop Dynamic Range
• 6K Super35
• Dual Native 400 & 3200 ISO
• Record 6K 6144 x 3456 up to 36 fps
• Record up to 120 fps Windowed HD
• Dual XLR Inputs
• 1x CFexpress Type B card slot
• USB Type-C Recording

PL- Mount
or G-Mount
ALPA XO Cage

on request

on request

on request

• New system of swappable lenses
• Macro Lens Mod lets you get 4X closer
• Ultra-Wide Lens Mod expands the field of view to roughly 8mm FF equivalent
• Anamorphic Lens Mod offers a 2x Squeeze with classic anamorphic characteristics and lens flares
• 5.3k with 10-bit color space
• HDR recording
• LOG
• inbody stabilisation of the footage
• battery life up to 2.5 hours
• waterproof without additional case up to 10m

Available as full set with lens mods (as soon as they arrive), ND filters, SD cards, batteries, charger, protective case, media mod and a full accessory kit

GoPro Accessory Kit
Helmet Strap Mount, Floating Handle Grip, Three-way Adjustable Pivot Arm, etc.

GoPro Accessory Kit
Helmet Strap Mount, Floating Handle Grip, Three-way Adjustable Pivot Arm, etc.

PolarPro ND Filter Set (0.9, 1.2, 1.5)
CinemaSeries™ Glass – 16 coating layers reduce flaring and help protect against fingerprints, oils, and scratches.

GoPro Accessory Kit
Helmet Strap Mount, Floating Handle Grip, Three-way Adjustable Pivot Arm, etc.

Tiffen GoPro Hero 8 – 3 ND Filter Kit
0.9, ND8 (3-stop ND), 1.2, ND16 (4-stop ND), 1.5, ND32 (5-stop ND),
Waterproof and anti-scratch multi-coating

GoPro Accessory Kit
Helmet Strap Mount, Floating Handle Grip, Three-way Adjustable Pivot Arm, etc.

PolarPro ND Filter Set (0.9, 1.2, 1.5)
CinemaSeries™ Glass – 16 coating layers reduce flaring and help protect against fingerprints, oils, and scratches.

on request

on request

10mm FD+ T3.1
14mm FD n T3.1
20mm FD S.S.C. T3.1
24mm FD S.S.C. Aspherical T1.6
28mm FD S.S.C. T2.2
35mm FD S.S.C. (I) Concave T2.3
55mm FD S.S.C. Aspherical T1.4
85mm FD S.S.C. Aspherical T1.3
100mm FD n T2.1
135mm FD n T2.1

• 1970s Vintage Beauties
• Matched Set out of 50 lenses
• Full Frame and beyond
• Great companions to or replacements for the Canon K35 lenses
• PL-Mounts
• 16-blade circular iris for smooth bokeh
• Matching 95mm fronts, 14mm with 114mm front for S35 and 136mm for FF
• Rehoused by ZERO OPTIK using aerospace-grade materials and processes: “We rebuild everything to be as close to purpose-built cinema lenses as possible, so each glass element is removed from the original housing, cleaned, and installed into brand-new metalwork. We install new circular irises to ensure consistent bokeh across every set, at any stop, and re-calibrate the optics for centering and field symmetry. Whenever possible, we also improve minimum focus distance.” Alex Nelson, Zero Optik.

18mm T3.8
21mm T2.2
24mm T2.2
28mm T2.2
35mm T2.2
40mm T2.2
50mm T1.3
50mm T2.2 Macro
85mm T2.1
90mm T2.2 Macro
100mm T2.1
135mm T2.9

• 1970/80s Vintage Beauties
• Matched Set out of 60 lenses
• Full Frame and beyond
• PL-Mounts
• 16-blade circular iris for smooth bokeh
• Matching 95mm fronts, 18mm with 114mm front
• Rehoused by ZERO OPTIK using aerospace-grade materials and processes: “We rebuild everything to be as close to purpose-built cinema lenses as possible, so each glass element is removed from the original housing, cleaned, and installed into brand-new metalwork. We install new circular irises to ensure consistent bokeh across every set, at any stop, and re-calibrate the optics for centering and field symmetry. Whenever possible, we also improve minimum focus distance.” Alex Nelson, Zero Optik.

15mm AI-S T3.9
20mm AI-S T3.0
24mm AI-S T2.2
28mm AI-S T2.2
35mm AI-S T1.5
50mm AI-S T1.3
85mm AI-S T1.5
105mm AI-S T1.9
135mm AI-S T2.1

• Full Frame and beyond
• PL-Mounts
• 16-blade circular iris for smooth bokeh
• Matching 95mm fronts
• Rehoused by ZERO OPTIK using aerospace-grade materials and processes: “We rebuild everything to be as close to purpose-built cinema lenses as possible, so each glass element is removed from the original housing, cleaned, and installed into brand-new metalwork. We install new circular irises to ensure consistent bokeh across every set, at any stop, and re-calibrate the optics for centering and field symmetry. Whenever possible, we also improve minimum focus distance.” Alex Nelson, Zero Optik.

18mm T2.2 S35
21mm T2.2 FF
25mm T2.2 S35
32mm T2.2 S35
40mm T2.2 S35
50mm T2.2 S35
75mm T2.2 S35
100mm T2.2 S35
135mm T2.8 FF

21mm
25mm
32mm
40mm
50mm
65mm
75mm
100mm
135mm

18mm
25mm
32mm
50mm
75mm
100mm

Sony E und Canon RF Mount
Compact and Lightweight
Matches perfectly with Cooke Panchro/i Classic (PL-mount)

15mm, T1.8
21mm, T1.5
25mm, T1.5
29mm, T1.5
35mm, T1.5
50mm, T1.5
65mm, T1.5
85mm, T1.5
100mm, T1.5
135mm, T1.5

18mm T1.4
25mm T1.4
35mm T1.4
50mm T1.4
85mm T1.4

S35 lenses with triangular iris

16mm T2.1
24mm T2.1
32mm T2.1
40mm T2.1
50mm T2.1
85mm T2.1
100mm T2.1

The same amazing optical flavor so many filmmakers know and love about Zeiss Super Speeds and Zeiss B Speeds is inherent in the 16 version of this now legendary lens.

It is very sharp, even wide open, has medium contrast, excellent close-focus, has beautiful lens flares, and as an added bonus has virtually no focus breathing. This lens has beautiful character that will help you get the most out of the 16 format.

Our 8mm Standard has a triangular aperture, creating distinct triangle Bokeh and matching perfectly to all Zeiss High Speed S16 Lenses. The Arriflex/Zeiss Standard lenses were produced for 16mm film in 1960.

28mm
38mm
58mm
88mm

• Full Frame / VV coverage (DXL, Monstro, Arri LF)
• Historic optical elements (Single Layer MgF2 Coated Primary Elements)
• Classical lower contrast rendering
• Ultra responsive to flaring
• Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc)
• Unorthodox optical designs
• f/2.0 aperture throughout the range
• Silky smooth optical characteristics

IronGlass Soviet Lens MkII Set of:

20mm MIR-47K T2.7
20mm MIR-20m T3.5
28mm MIR10A T3.5
35mm MIR-24M T2.2 
37mm MIR-1B T2.8
50mm HELIOS 77M-4 T2.1
58mm HELIOS 44-2 T2
85mm HELIOS 40-2 T1.5
135mm TAIR-11A T2.8

16mm T2.8 FF
25mm T2.1 FF
35mm T2.1 FF
50mm T2.1 FF
75mm T2.1 FF
100mm T2.1 FF
125mm T2.1 FF

Dulens APO-X 17mm T2.6 S35 ( 21mm with Schneider Wide Adapter)
Dulens APO 21mm T2.6 FF
Dulens APO 31mm T2.4 FF
Dulens APO 43mm T2.4 FF
Dulens APO 58mm T2.4 FF
Dulens APO 85mm T2.4 FF
Dulens APO-X 135mm T2.4 FF (with Schneider Tele Adapter)

16mm T1.9
20mm T1.9
24mm T1.9
28mm T1.9
32mm T1.9
40mm T1.9
50mm T1.9
65mm T1.9
85mm T1.9
100mm T1.9

14mm T2.0
20, 24, 35, 50, 85mm T1.5
135mm T2.0

18mm
25mm
35mm
50mm
85mm
105mm

Single Coated

18mm
25mm
35mm
50mm
85mm
105mm

22mm T 1.6
28mm T 1.5
35mm T 1.4
50mm T 1.4
75mm T 1.6
100mm T 2.9

• Full Frame / Vista Vision coverage
• Close to zero distortion (Zero-D)
• 122 degrees AoV
• Super Compact
• EF / PL mount available
• Step-up to 114mm for matte box installation

• Full Frame / Vista Vision coverage
• 95mm Front Diameter
• Close to zero distortion (Zero-D)
• T3.1 Aperture
• High Corner To Corner Sharpness
• 130.4 degrees AoV
• Super Compact, only 637 gr
• LPL Mount
• Close Focus 10cm

RED T2.8 300mm

35mm T3.5
45mm T2.8
55mm T3.5
80mm T2.0
140mm T2.8
210mm T4.0

Primes
14mm EF f/2.8 L II
24mm EF f/1.4 L II
35mm EF f/1.4 L
40mm EF f/2.8 L
50mm EF f/1.2 L
85mm EF f/1.2 L II
135mm EF f/2.0 L
200mm EF f/2.8 L II

Macro
65mm MP-E 1-5x f/2.8
100mm EF f/2.8 IS L
180mm EF f/3.5 L

Extender
1.4x III
2.0x III

Lensbaby 3G
50mm EF f/2.0

Primes
14mm f1.8 GM
20mm f1.8 G
24mm f1.4 GM
35mm f1.4 GM
50mm f1.2 GM
85mm f1.4 GM

Leica ELMARIT-R 19mm f/2.8
Leica ELMARIT-R 28mm f/2.8
Leica SUMMILUX -R 35mm f/1.4
Leica SUMMILUX-R 50mm f/1.4
Leica SUMMICRON-R 90mm f/2.0
Leica APO-Macro-Elmarit 100mm f/2.8

on request

on request

on request

on request

on request

32mm (With a Schneider 0.8x Wide Angle Adapter)
40mm T2.3
50mm T2.3
75mm T2.8
100mm T3.4

32mm
40mm
50mm
65mm
80mm
100mm

36mm T2.2
42mm T2.2
54mm T2.2
72mm T2.2
95mm T2.2
138mm T2.2

28mm
36mm
45mm
60mm
85mm
100mm

• Available with a 1.4 FF Expander
• Silver Flare

27mm T2.8
35mm T2.4
50mm T2.4
65mm T2.4
80mm T2.4

• Compatible and available with the Laowa 1.33X Front Anamorphic Adapter
• PL or EF Mount
• Blue and Silver Flare 

35mm T2.9 FF
50mm T2.9 FF
85mm T2.9 FF

PL or EF Mount

33mm T1.8
45mm T2.0
50mm T2.0
65mm T2.0
85mm T2.8
100mm T2.8
125mm T4

• PL or EF Mount
• Silver or Amber Flare

World’s first autofocus anamorphic lens. Featuring an E-Mount, it seamlessly utilises Sony’s Eye-Tracking focus with exceptional smoothness and precision.

• 1.33x Squeeze
• Oval bokeh
• S35+ Sensor Coverage
• Sony E-Mount
• T1.8 Maximum Aperture
• 2.1ft /0.65m Close Focus
• Lightweight and compact design: 1.58 lbs / 717 g
• 80mm Front Diameter & 77mm Filter Thread

on request

• Probe Lens
• PL-Mount
• Cine-Mod Version

• Full-Frame Optics
• Interchangeable lens tube with a 90° Module & direct view module
• Waterproof Barrel
• 2x Magnification
• 2cm working distance
• 360° Rotation
• 408mm length

• Full-Frame Optics
• Waterproof Barrel
• 2x Magnification
• 360° Rotation

The Laowa Aurogon is the new supermicro lens from Laowa, enabling incredible macro shots that were previously only achievable with microscopes. It features seamlessly interchangeable magnification tubes for 10x, 20x, 35x, and 50x magnification. Remarkably, these magnifications are fully compatible with full-frame cameras.

Its APO design effectively eliminates chromatic aberrations, ensuring high-quality images. With a fixed focus distance of 20mm, there’s no need for setup changes when switching between different magnifications. Additionally, its adjustable high numerical aperture provides control over depth of field and exposure, resulting in perfect shots every time.

• Image Circle: 43.2mm 
• Front Diameter: 100mm
• Lightweight Compact Design: 640gr
• Minimum focus distance: 12 cm
• Field of view: 110 degrees

24mm T2.8 (CF 15.5cm/6,1”)
32mm T2.8 (CF 16.7cm/6.6”)
65 mm T2.8 (CF 23.7cm/9.36”)
90mm T2.8 (CF 25.8cm/10.2”)

• Full Frame: covering φ 46.5mm
• T2.8
• Cinematic Imaging with extreme sharpness
• 114mm Front Diameter
• LPL, PL and EF Mount

25mm T2.8 (CF 20cm/8″)
35mm T2.8 (CF 19cm/7.8″)
50mm T2.8 (CF 24cm/9″)
120mm T2.8 (CF 83cm/2’6″)

• Full Frame
• T2.8
• Vintage character with minimal chromatic and spherical aberration
• 80mm Front Diameter
• PL Mount

50mm Macro T2.2
90mm Macro T2.1

100mm Macro

1:1 to 5:1 Magnification
9.4″ Min Focus

Renders subjects at up to five-times life-size magnification.

100mm Macro

180mm Macro

• Full Frame Zoom
• Greatly improved Close Focus: 1.8m, 6ft.
• 15-blade circular iris for smooth bokeh
• T4.9
• 136mm Diameter
• 270mm Length
• Limited series of 20 units sold

“In 1982 Canon released its last lens off the FD production line, and they did not disappoint. The 50-300 f/4.5 L was Canon’s first super zoom with a 6x ratio. They used 2 special UD low dispersion/low diffraction elements to control chromatic abberations in their 16 element/13 group design. Canon’s original 4 group optical system meant this lens was rather simple to service and therefore a good candidate for rehousing.

Genuine Canon S.S.C. coatings ensure this full frame zoom will match well with Canon K35 and FD prime lenses…making it the prefect companion to these popular lens sets. However, thanks to its character rich image, the Canon FD 50-300 will also cut together well with any vintage lens sets from the 70’s and 80’s (Leica R, Olympus OM, Nikon, etc.) The bold flares, pleasant bokeh, and gentle fall off make this zoom lens a much needed addition to any rental house.” Ancient Optics.

The Voigtländer Zoomar lens has a rich lens history as it’s the very first zoom lens for still photography released in 1959. It remains impressive by todays standards, it’s parfocal, low focus breathing and covering full frame.

This single coated lens is sharp on center, with subtle fall-off towards the corners, and has surprisingly low chromatic aberration for such an old lens, making it an ideal match for our full frame vintage primes.

Beautifully rehoused by ANCIENT OPTICS the lens now features internal mechanics, 330-degree focus rotation, an improved 0.9m minimum focus distance, full-frame coverage and its new 15-blade iris ensures consistent circular bokeh.

From the late 70s Century Precision Optics offered many classic still photography zooms rehoused for cinema use. One such zoom is the Century Precision 28-70 T3.0, which houses a Minolta AF 28-70mm F2.8 lens.

This lens provides a unique vintage look similar to Canon FD primes, featuring soft skin tones, soft edges, and “onion-ring” bokeh with an outline characteristic of aspherical design lenses. It weighs only 1.3kg, measures 11.6cm in length and has a close focus of 90cm.

While the original Minolta zoom was designed for 35mm still photography, the modifications made to the lens by Century reduced its coverage, resulting in light vignetting in the corners at the widest focal length on an ALEXA Mini LF in 16:9 mode.

Angénieux Type EZ-1 FF/VV 45-135mm T3.0
Angénieux Type EZ-2 FF/VV 22-60mm T3.0
Angénieux Type EZ-3 FF/VV 68-250 mm T3.5-4.5

Angénieux Type EZ-1 S35 30-90mm T2.0
Angénieux Type EZ-2 S35 15-40mm T2.0
Angénieux Type EZ3 S35 45-165 mm T2.3-3

DZOFILM Catta Ace Zoom 18-35mm T2.9 Full Frame
DZOFILM Catta Ace Zoom 35-80mm T2.9 Full Frame
DZOFILM Catta Ace Zoom 70-135mm T2.9 Full Frame

• PL and EF-Mount
• Lightweight Design: 1635g and 1850g
• Minimal breathing
• T2.9

Laowa Ranger Lite 16-30mm T2.9
Laowa Ranger Lite 28-75mm T2.9
Laowa Ranger Lite 75-180mm T2.9

• Full Frame (⌀ 43.2mm)
• Parfocal
• Lightweight Magnesium Alloy housing
  – 16-30mm: 730gr
  – 28-75mm and 75-180mm: 1.2Kg
• Compact:
  – 16-30mm: 10.7cm long
  – 28-75mm:18cm long
  – 75-180mm: 19cm long
• Close Focus:
  – 16-30mm: 33cm
  – 28-75mm: 49cm
  – 75-180mm: 89cm
• Available in EF and PL

Set of:

28-55mm, T2.9
50-100mm, T2.9

• Compatible and available with the Laowa 1.33X Front Anamorphic Adapter
• PL or EF Mount
• Silver Flare 
• Parafocal Zoom
• Weighting only 1.5kg
• Exceptional sharpness and minimal chromatic aberration

Tokina Cinema 11-20mm T2.9 Zoom S35+ (Covers Full Frame from 16 to 20mm)
TOKINA Cinema T2.9 25-75mm S35+
TOKINA Cinema T2.9 50-135mm Mk II S35+

DZOFILM Pictor Zoom 14-30mm T2.8
DZOFILM Pictor Zoom 20-55mm T2.8
DZOFILM Pictor Zoom 50-125mm T2.8

• PL and EF-Mount
• Lightweight Design: just 1600gr
• Minimal breathing
• T2.8

• 24cm long and only 2.5kg

• consistent aperture of f/3.5 (T4.5)

• covering academy 35 sensors

• close focus distance of 1.7m

• Modified with a custom front to use a clip on mattbox with a 136mm clamp adapter

on request

on request

Zooms
11-16mm Tokina AT-X Pro f/2.8
11-24mm EF f/4.0 L
16-35mm EF f/2.8 L III
17-55mm EF-S f/2.8 IS
24-70mm EF f/2.8 L II
70-200mm EF f/2.8 L IS II
100-400mm EF f/4.5-5.6 IS L II L

Fisheye
8-15mm EF f/4 L

15-35mm RF f/2.8 L IS Zoom
24-70mm RF f/2.8 L IS Zoom
70-200mm RF f/2.8 L IS Zoom

16-35mm f2.8 GM
24-70mm f/2.8 GMII
24-105mm f4 G OSS
70-200mm F2.8 GMII
200-600mm f5.6-6.3 G OSS

Angénieux Wide Angle Attachment

0.8x
95mm
WA-8XIF-20

15mm and 19mm

• Single compact on-camera unit
• Internal Class 3R targeting laser
• 12.19m ultrasonic rangefinder
• 15.2 cm rangefinder minimum
• 14°, 24°, 36° adjustable field of view
• Outputs imperial and metric distance units
• Supports up to 4x BUG Transmitters
• Sync Mode for 2x Cine RT Systems
• Interchangeable mounting hardware
• Serial connectivity with popular LCS

Ultrasonic Distance Measure

Up to 3-Channel
Wireless control of Focus, Iris and Zoom
Lens Data

1-Channel
Wireless control of Focus, Iris or Zoom

Motor Controller

Motor Controller

cforce mini RF
cforce mini
cforce plus
CLM-4
cmotion cforce

Zoom Control

Zoom Control

Allows Operators to over-ride WCU-4 controlled Lens Axes
Small and lightweight

Converts LBUS protocols to serial protocols, delivering distance readings to the WCU-4

For Photo Lenses

The Hurricane is a Wind-driven Rain Deflector built for extreme weather conditions.

With its strong air motor, hydrophobic double-sided coated glass, and straight waterfall wiper structure, there is no water gathering in the centre.

It works uninterrupted for up to 30 minutes, and thanks to its internal circulation switch, it prevents fog from forming inside the glass.

It has two filter stages, and you can use it with ARRI clip-on adapters or mount it on 15mm and 19mm Rods.

The Cinelux Luxcon is a contrast control filter that uses a proprietary RGBW LED design to shape your image in ways that were once only available to a select few.

By illuminating a filter directly in front of your lens, Luxcon lets you selectively influence contrasty areas, adjusting color, temperature, and even animated effects, all within the matte box.

Control it wirelessly via Bluetooth using the app or hand it off to your DIT to dial in the perfect look. It features built-in animations for dynamic on-camera lighting, and also allows individual LED control to fine-tune every detail.

Despite its advanced features, the Luxcon is lightweight and fits into just one matte box slot and is compatible with all ARRI style 4×5 Matteboxes.

2 Filter Stages
3 Filter Stages
Rotatable Filter Stage
15mm/ 19mm Rod Support
Swing-Away Tilt Module
Top Flag
Side Flags
4×5.65

2 Filter Stages
3 Filter Stages
Clip-on
4×5.65

Super light-weight
Hard or soft Sunshade
1 Filter Stage
4×5.65

Allows 138 mm diopters of up to +3

Allows 138 mm diopters of up to +2

Allows one or two glass filters to be stacked and angled, providing a quick and elegant solution for reducing unwanted reflections.
4×5.65

98g only
ideal for Gimbals
1 Filter stage for 2 Filters
Top flag,
Rod-support and Clip-on
4×5.65

3 Filter Stages (rotatable)
Top flag
2 Side flags,
Rod-support and Clip-on
4×5.65

• +1/8 Diopter
• +1/4 Diopter
• +1/2 Diopter
• +1 Diopter
• +2 Diopter
• +3 Diopter

+1/4 Gen2
+1/2
+1
+2
+3

+1/4 Gen2
+1/2
+1
+2
+3

+1
+2

4×5.65

A | B | C | D | E

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2
82mm

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2
4×5.65

1/4, 1/2, 1, 2
4×5.65

1, 2
4×5.65

1, 2
4×5.65

1, 2
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/16, 1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2
82mm

1/8
4×5.65

1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 1, 2
4×5.65

1/8, 1/4, 1/2, 1
82mm

1/8, 1/4, 1/2, 1
4×5.65

1
82mm

1/8, 1/4, 1/2, 1, 2
4×5.65

1/8, 1/4, 1/2, 1, 2
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1/8, 1/4, 1/2, 2
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

1, 2
4×5.65

1/8, 1/4, 1/2, 1
4×5.65

4×5.65

4×5.65

4×5.65

4×5.65

2mm
4×5.65

2mm
4×5.65

4×5.65

4×5.65

4×5.65

4×5.65

• Kolari 4×5.65 Hot Mirror Pro Cinema
• Kolari 4×5.65 Pro 720nm Cinema Infrared Filter
• Kolari 4×5.65 Pro 665nm Cinema Infrared Filter

0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1, 2.4, 2.7, 3.0
4×5.65

0.3, 0.6, 0.9
4×5.65

0.3, 0.6, 0.9, 1.2, 1.5, 1.8
4×5.65

0.3, 0.6, 0.9
4×5.65

0.3, 0.6, 0.9
4×5.65

0.3, 0.6, 0.9
4×5.65

• occupies one slot
• provides ND values between ND 0.6 (2 Stops) and ND 2.4 (8 Stops)
• prevents accidental polarization effects and cross polarization
• reduces flare and ghost images
• increasing contrast and color saturation
• suitable for wide-angle lenses and large zoom lenses
• featuring 0.8 pitch gear teeth

Screw-in: 72, 77, 82mm

0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1
4×5.65

4×5.65

4×5.65

4×5.65

4×5.65
Linear True-Polarizer

4×5.65

4×5.65

4×5.65

Screw-in: 72, 77, 82mm

Polarizer for RED MOTION MOUNT

Provides Clear View under Rain
Stops Water Beading
4×5.65

0.6, 0.9, 1.2, 1.5

0.9, 1.2, 1.5
CinemaSeries™ Glass – 16 coating layers reduce flaring and help protect against fingerprints, oils, and scratches.

0.9, ND8 (3-stop ND),
1.2, ND16 (4-stop ND),
1.5, ND32 (5-stop ND),
Waterproof and anti-scratch multi-coating

Various Crystals and Prisms
Ball, Square, Trigonal,…

Versatile set of tools designed to enhance the mood and atmosphere of your shots

Wireless Video HD-SDI/HDMI
1x Transmitter
1x Receiver
230m, 750ft
Delay less than 0.001sec (without format conversion)

Supports up to 6 Receiver

additional Receiver

additional Receiver directly attached to SmallD Cine 7 Monitor

Wireless Video HD-SDI/HDMI
1x Transmitter
1x Receiver
150m, 500ft
Delay less than 0.001sec (without format conversion)

additional Receiver

allows up to 10 iPhones and iPads to monitor a video feed in HD over WiFi

• Real-Time H.264 (AVC) Encoder
• Dual-Band 2.4/5.8 GHz WiFi, Ethernet and USB Interfaces
• HDMI and SDI Video Inputs
• On-Board SD Card Recording
• Two-Pin Connector-Type Power Input
• Core, Vuer, and Frame.io Compatible

for Teradek Serv Pro
Dual Band 2.4 / 5 GHz WiFi Router, V-Mount Battery Plate

Wireless Video HD-SDI/HDMI
1x Transmitter
1x Receiver
150m, 500ft
No Latency
No Compression

additional Receiver

Wireless Video HD-SDI/HDMI
1x Transmitter
1x Receiver
610m, 200ft
No Latency
No Compression
2000ft/ 610m, no latency, no compression Wireless Transmission Set

additional Receiver

Full HD 7-inch Touchscreen Monitor
High Brightness: 1800 nits
Optional Camera Control Software for RED and/or ARRI
Optional Teradek Bolt 4K 750 Monitor Module HDMI Wireless Rx, V-Mount Battery Plate and Handle Set

Full HD 5-inch Touchscreen Monitor
High Brightness: 1000 nits

Full HD 5-inch Touchscreen Monitor
High Brightness: 3000 nits

Full HD 5-inch Touchscreen Monitor
High Brightness: 2200 nits

Full HD 7-inch Touchscreen Monitor
High Brightness: 1500 nits
1000:1 Contrast Ratio

Bright and Sharp
Daylight viewable 1000 nits
1920×1080

Works with all Cameras with SDI or HDMI Out

1920 x 1080 Resolution Micro-OLED EVF
Allows RED DSMC2 Menu Control
3G-SDI and HDMI Inputs/Loop Outputs
Built-In +8 to -3 Adjustable Diopter
100,000:1 Contrast, 200 cd/m² Brightness
Rosette Mount Allows Rotation
Synchronization with RED Fan Mute
Waveform, 3D LUTs, Audio Meters, Zoom
False Color, Peaking, Grids, HSD Flip
Durable Aluminum Construction

• high-resolution and contrast micro-OLED display for precise color
• HDMI & SDI input
• Falsecolor, Waveform, Vectorscope, Zebra, Histogram, and LUTs, along with other useful tools such as anamorphic desqueeze, frame guide, and peaking
• built-in diopter
• Anti-fog coating

1920 x 1080 OLED Display
Waveform
Vectorscope

LCD Monitor
1920 x 1080
SDI + HDMI (in/out)
Waveform
LUT
False Color
Focus Assist
Sunshade

High Resolution + Low Latency
OLED Monitor with Touch Screen
ARRI bus Interface
H.264 Recorder
Waveform
Vectorscope
190g

• 10″ HDR DCI-P3 1000 nits touchscreen
• Records 4 camera feeds (1080p60)
• 6× 12G-SDI ports (2x Out, 2x In or OUT and 2x OUT)
• Apple ProRes 4-2-2 HQ
• Removable SSDs
• Independent LUTs for each output
• Bidirectional audio via SDI or XLR
• Powered by regular V-Mount batteries

OLED Monitor & Recorder
REC709 + P3
SDI + HDMI (in/out)
Waveform, LUT, False Color, Focus Assist

2x 1TB SSD
or 2x 256GB SSD
OLED Monitor & Recorder
REC709 + P3
SDI + HDMI (in/out)
Waveform, LUT, False Color, Focus Assist

RAW Support
2x HD Recording

2x 1TB SSD
High Bright Mode for Rec. 709 viewing,
4K HDMI and 12G-SDI inputs / outputs
10-bit 4:2:2 ProRes and DNxHR recording

23.8-inch UHD LCD monitor
3840×2160 display
12GSDI 4-in 4-out (4 FullHD signals side by side)

in EISELE Monitor Case
V-Mount
Sunshade
Tripod Mount

in EISELE Monitor Case
V-Mount
Sunshade
Tripod Mount

in EISELE Monitor Case
V-Mount
Sunshade
Tripod Mount

in Flanders Scientific Soft Monitor Case with Hood
V-Mount
Sunshade
Tripod Mount

13-inch 1920×1080 IPS display
1500nits with HDR Preview
SDI: 2x 3G Inputs & 2x 3G Outputs
HDMI: 1x Input, 1x Output
Custom Frame Guides & LUTs
Focus Assist, Peaking, False color and other exposure Tools
Anamorphic De-Squeeze
V-Mount Platte

in EISELE Monitor Case
V-Mount
Sunshade
Tripod Mount
Calibrated Monitor with Waveform, Vectorscope

Calibrated Monitor 10-bit
DisplayPort

Heavy Duty Pro Monitor with V-Mount

Outputs Footage from Computer to Monitor

Various items available

Various items available

SDI Splitter 4-times,
Supports SD/HD/3G-SDI,
6V – 15V DC

Various items available

Downconverter HD-SDI to SDI

Ultra-thin, Thin, Standard
Straight + Right-angle Connectors
0.3, 0.5, 0.8, 1, 2, 2.5, 5, 7.5, 10, 15, 20m

50m

Handheld Monitor Case with Sunshade and Lanyard
for SmallHD 702

with V-Mount
for Wireless Video, Monitor, Remote Focus

compatible with the AMIRA MVF-1, ALEXA Mini MVF-1 and the ALEXA EVF-1 eyepieces

For Canon C500 MK II

Low Light Optimized
Skin-Tone Highlight
Standard

RED DSMC2 EVF OLED
RED Bomb EVF

Arri Handgrips
Arri Handgrip with On/Off Switch
Arri Short + Long Extensions
Arri Extension Tubes
Arri Universal Bridge Support UBS-3
Arri Lightweight Bridge Support LBS-2
Arri CSP-1 Shoulder Pad
ActionProducts Shouldermount Razor, quickly from tripod to shoulder

• Controls up to 5 cameras at a time
• Bluetooth® Low Energy improves the battery life of both The Remote and the camera that it’s connected to while also improving pairing over previous GoPro remotes
• Large high-resolution screen makes it easy to check camera status
• Large tactile buttons give you easy control of camera functions
• Waterproof to 16ft (5m)²
• Range up to 196ft (60m) in optimal conditions

USB-C

USB 3.0
Thunderbolt

Samsung SSD Pro

USB 3.1 Gen 2 Type-C
Read Speed 1050 MB/s
Write Speed 1000 MB/s

With our custom OCTAMAS V-Mount plate for the Aaton XTR Prod with integrated voltage regulation, you’ll never have the fear again of frying your analogue camera.

ARRI
RED
XLR-4-Pin

98Wh
6.8Ah/14.4V
D-Tap
USB

98Wh
6.8Ah/14.4V
D-Tap
USB

147Wh
10.2Ah/14.4V
D-Tap
USB

294Wh
20.4Ah/14.4V
D-Tap
USB

Simultaneous Charge

Simultaneous Quick Charger

Simultaneous Charge

98Wh
10A
14.8V, 6.8Ah
1x D-Tap
USB-A
USB–C

98Wh
10A
14.8V, 6.8Ah
1x D-Tap
USB-A
USB–C

300Wh
18A
14.8V, 20.4Ah
4x D-Tap
USB

Simultaneous Charge

Simultaneous Charge

Adapts V-Mount Batteries to Gold-Mount Plates

The Hub that powers equipment from different inputs and outputs.
D-Tap Input/Output:
2 x (10-16.8V / 10A)
USB-C Input/Output: 5V / 3A, 9V / 3A, 12V / 3A, 15V / 3A, 20V / 3A
maximal 60 Watts
USB-A Output: 5V / 2A, 9V / 2A, 12V / 1.5A
DC Output 1: 7V / 3A
DC Output 2: 12V / 3A
Dimensions: 84(L)*63(W)*23(H)mm
Weight: 210g

98Wh
14.8V
D-Tap

28,8V/14Ah switchable 14,4V/28Ah
Discharge Protection
LCD Power Control

• 2048Wh capacity
• Weighting just 23kg
• quick recharge feature – 80% of the capacity in only 53minutes
• still usable while charging

Overvoltage protection

150mm Bowl
or Mitchell Mount
O’Connor Cine HD Tripod
O’Connor Cine HD Baby Tripod
Ronford Baker Medium Duty Short Tripod
Ronford Baker Medium Duty Tall Tripod
Ronford Baker Medium Duty Two Stage Tripod

150mm Bowl
or Mitchell Mount
O’Connor Cine HD Tripod
O’Connor Cine HD Baby Tripod
Ronford Baker Medium Duty Short Tripod
Ronford Baker Medium Duty Tall Tripod
Ronford Baker Medium Duty Two Stage Tripod

100mm
for cameras up to 45 LBS (20 kg)
Flowtech 100 Tripod Set
Ronford Baker Lightweight Two Stage Tripod

150mm Bowl
for cameras up to 30 Kg
O’Connor Cine HD Tripod
O’Connor Cine HD Baby Tripod
Ronford Baker Medium Duty Short Tripod
Ronford Baker Medium Duty Tall Tripod
Ronford Baker Medium Duty Two Stage Tripod

100mm, with Sachtler Speed Lock Carbon fiber HD Tripod, Mid-level Spreader

100mm, with Sachtler Speed Lock Carbon fiber HD Tripod, Mid-level Spreader

• POV System features 5 Unique Setup Options Perfect for Sports and Action Shooting
• Perfect Balance via the adjustable Battery Plate Balance Module and included Counter Weights
• Lightweight & Scratch Resistant Carbon Fiber Construction

150mm Bowl
or Mitchell Mount

Portrait Format
Heavy Duty
Dovetail for Camera
O’ Connor Touch & Go for Tripod

Potrait Format
Weight: 1.3kg
Suitable for cameras up to 20kg

10” Wheels
Tripod Mount
5/8″ Stud

10” Wheels
Tripod Mount
5/8″ Stud

Ronford Quick Release Plate
or Dovetail ARRI-O’Connor Style

For 150 and 100 Bowl Tripod Head
150cm and 250mm rails

DJI Ronin 2 Gimbal
DJI Remote Controller
6x DJI Ronin 2 TB50 22.8V 98Wh Batteries
2x Battery Chargers
2x CineMilled Upper Tilt Arm Extension Stages
CineMilled Counter Weight Set
Maximum payload: 13.6kg

Ignite Digi TB50 MöVI Pro Battery Adapter (Pair)
with Lemo out (unreg. 20-25.5V)
6x DJI Ronin 2 TB50 22.8V 98Wh
1x DJI Ronin 2 Quad Charging Hub

MöVI Ring Pro
MōVI Pro Low Profile Handle
MōVI Classic Handle
Ninja Plate,
MIMIC with Handlebars
Sony Controller
Bush Pilot Lens Control Knob
4x Power Banks + Charger
Maximum payload: 6.80kg/15lbs

Load Range: 5-17 kg (4-15 lbs)

Minimax Vest and Minimax Flex Vest Available

Adjustable Arm Extension +130mm
Load Range: 5-17 kg (11-38 lbs)

Cinema Vest and Cinema Flex Vest Available

Gimbal Vest and Cinema Flex Vest Available

Gimbal Vest and Cinema Flex Vest Available

CineMilled 30mm Spindles (Pair)
Vertical Axis Stabilization
Load Capacity Range of 1-40 lbs
55” Boom Range
Adjustable Telescoping Arms 23” to 37”
Operate Gimbal in Over or Underslung Mode

Stabilizing system (Steadicam) by ActionProducts

Stabilizing system (Steadicam) by ActionProducts

Body Mount for DSLR Cameras and Action Cams
Payload: max. 0.7kg

The DJI RS 3 Pro features arms made of layered sheets of uncut carbon fiber, providing a lighter and stronger build compared to the RS 2. It incorporates the third generation of RS stabilization algorithms, offering a 20% increase in stability over RS 2. The SuperSmooth mode boosts motor torque for enhanced stabilization, even in fast-paced scenarios or when using long lenses. This 1.5kg gimbal can handle a tested payload of 4.5kg.

Compatible with the Advanced Ring Grip for RS2 and RS3 Pro, it enhances versatility and control for your gimbal setup. It helps stabilize the gimbal by providing multiple contact points and includes kickstands for operator comfort during long shoots. This accessory can transform the Battery Handle into a Top Handle, enabling quick transitions to low-angle shots while supplying extra power to the gimbal.

A 1kg (2.3lbs) gimbal with 4.5kg (10lbs) tested payload offers the highest weight-to-payload ratio in the industry.

• For DJI RS 2
• Provides More Stability and Control While Operating the RS2
• Supports Full Control of the RS2

for ARRI Alexa Mini, Alexa 35, RED, Amira, SONY Venice, etc.
Housing with 12V and 24V Power Input
Air Jet System
Waterproof 5″ HD LCD Monitor
Compatible with most common lenses up to 120mm diameter
Built to match 19mm studio rods
Complete Accessories Kit
Max Depth: no more than 4 m

for Canon EOS R5
Atomos Ninja V Monitor
Complete Accessories Kit
Max Depth: 80m / 260 ft.

on request

• Aputure LS600D Pro

• LS300D II

• Aladdin All-In 2 1’x2’ (100W Bi-Color, 40W RGB)

• Aputure Accent B7c

• Aputure Amaran MC

• Aputure Light Dome Mini II

• Light Dome II

• F10 with barndoors and gels

• Flags, floppies, diffusion frames, bounce boards, etc.

• Power cables of different lengths

• Dimmers

• T23 to Schuko adapters

• Grip gear such as large C-Stands, steel combo stands, sandbags, different clamps, apple boxes, and more…

• 8 Headsets
• Range of up to 350m
• Noise cancelling

Tri-Level Sync Lockit Set

Timecode Synchronization via Bluetooth

Zero-configuration Timecode generator
Timecode Sync by Satellite