ARRI ALEXA Mini LF

Bild Kamera mieten - RED Epic, Scalet, RED Rocket, Dragon Sensor

ALEV 3 A2X Full Frame Sensor 1.43:1
36.70 x 25.54 mm, 4448 x 3096 photosites à 8.25 μm
Lower noise with higher usable sensitivity
ARRI color science for natural skin tones
14+ stops over the entire sensitivity range
EI 160 to EI 3200, EI 800 base sensitivity
internal uncompressed MXF/ARRIRAW or MXF/Apple ProRes
Codex High Density Encoding (HDE) uses loss-less encoding to reduce ARRIRAW file sizes by around 40% during downloading or later in the workflow.

New Codex Compact Drive 1TB
Internal FSND filters: 0.6, 1.2, 1.8
LDS-2, LDS-1 and /i lens metadata
Color Output: Rec 709, Rec 2020, Log C,
Custom Look (ARRI Look File ALF-2)
Lens Squeeze Factors: 1.00, 1.25, 1.30, 1.50, 1.65, 1.80, 2.00
Easyily powered by 14.4 V on-board batteries
MVF-2 high-contrast HD OLED Viewfinder with 4” flip-out monitor

Formats & FPS

SENSOR MODES	RECORDING FILE TYPE	RECORDING RESOLUTION		FINAL RESOLUTION	RECORDING DIMENSION (MM)	RECORDING FILE SETTING	max. FPS
16:9	ProRes	HD	3840 x 2160	1920 x 1080	31.68 x 17.82 - ∅ 36.35	MXF/422 HQ	90
						4444	90
						4444 XQ	90
		2K	3840 x 2160	2048 x 1152	31.68 x 17.82 - ∅ 36.35	MXF/422 HQ	90
						4444	90
						4444 XQ	90
		UHD	3840 x 2160	3840 x 2160	31.68 x 17.82 - ∅ 36.35	MXF/422 HQ	60
						4444	60
						4444 XQ	60
	ARRIRAW	UHD	3840 x 2160	3840 x 2160	31.68 x 17.82 - ∅ 36.35	–	60
2.39 : 1	ProRes	4.5K	4448 x 1856	4448 x 1856	36.70 x 15.31 - ∅ 39.76	MXF/422 HQ	60
						4444	60
						4444 XQ	60
	ARRIRAW		4448 x 1856	4448 x 1856		–	60
Open Gate	ProRes	4.5K	4448 X 3096	4448 X 3096	36.70 X 25.54 - ∅ 44.71	MXF/422 HQ	40
						4444	40
						4444 XQ	40
	MXF-ARRIRAW		4448 X 3096	4448 X 3096		–	40

TECHNICAL SPECIFICATIONS

	ARRI ALEXA Mini LF
Camera type	LF format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-2 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for force motors, built- in motorised ND filters, LPL Mount and ARRI Lens Data System as well as Lens Data Archive.
Dimensions	Length: 188 mm/7.4" Width: 140 mm/5.5" Height: 143 mm/5.6" (camera body with LPL lens mount)
Weight	~ ~ 2.6 kg/5.7 lbs (camera body with LPL lens mount), 800g MVF-2
Sensor	Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
Active photo sites	LF Open Gate ProRes 4.5K: 4448 x 3096 LF Open Gate ARRIRAW 4.5K: 4448 x 3096 LF 16:9 ProRes HD: 3840 x 2160 LF 16:9 ProRes 2K: 3840 x 2160 LF 16:9 ProRes UHD: 3840 x 2160 LF 16:9 ARRIRAW UHD: 3840 x 2160 LF 2.39:1 ProRes 4.5K: 4448 x 1856 LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
Shutter	Electronic shutter, 5.0° to 356.0°
Exposure latitude	14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index	EI 800 base sensitivity
Filters	Built-in motorized ND filters 0.6, 1.2, 1.8
Lens mounts	LPL Mount with L-Bus connector and LDS PL to LPL Mount Adaptor
Recording media	Codex Compact Drives
Recording formats	LF 2.39:1 (4448 x 1856): ProRes 4.5K ARRIRAW 4.5K LF 16:9 (3840 x 2160): ProRes HD ProRes 2K ProRes UHD ARRIRAW UHD LF Open Gate (4448 x 3096) LF Open Gate ProRes 4.5K LF Open Gate ARRIRAW 4.5K
Recording codec	MXF/ProRes 4444XQ, MXF/ProRes4444, MXF/ProRes422 (HQ), MXF/ARRIRAW
Recording frame rates	LF Open Gate ProRes 4.5K: 0.75 - 40 fps LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps LF 16:9 ProRes HD: 0.75 - 90 fps LF 16:9 ProRes 2K: 0.75 - 90 fps LF 16:9 ProRes UHD: 0.75 - 60 fps LF 16:9 ARRIRAW UHD: 0.75 - 60 fps LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps Note: maximum fps values are preliminary information ( November 2019)
Color output	Rec 709, Rec 2020, Log C, Custom Look (ARRI Look File ALF-2)
Look control	Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Adjustable image parameters	Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control	Peaking, zebra, false color
White balance	Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Sound level	< 20 dB(A) at 24fps
Environmental	-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
Viewfinder	Multi Viewfinder MVF-2, 1920 x 1080 OLED viewfinder display, 4" LCD fold out monitor
Control interface	Integration of Transvideo Starlite HD5-ARRI touch interface, WCU-4 hand-unit with control over operational parameters, OCU-1 and Master Grip control of lens and user buttons, Camera Access Protocol (CAP) via Ethernet & WiFi,
ARRI lens motor control	Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wi-Fi remote control	Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom control	Optional GPIO interface for integration with custom control interfaces
Power input	Lemo 8-pin, 11-34 V DC
Video outputs	1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals) SDI 1: -HD only, Processed or Clean, with or without a look file applied -1.5G 422 HD (SMPTE ST292-1, up to 30 fps, progessive (p) or progressive segmented frame (psf)) -3G 422 HD (SMPTE ST425-1, up to 60 fps, p) -3G 444 HD (SMPTE ST425-3, up to 30 fps, p) SDI 2: -HD or UHD, Clean only, with or without a look file applied, or SDI 1 clone -1.5G 422 HD (SMPTE ST292-1, up to 30 fps, p or psf) -3G 422 HD (SMPTE ST425-1, up to 60 fps, p) -3G 444 HD (SMPTE ST425-3, up to 30 fps, p) -6G 422 UHD (SMPTE ST2081-10, up to 30 fps, p) “Clean” is an image without surround view or overlays (status, false color, zebra, framelines, etc.) “Processed” is an image with surround view or overlays.
Inputs	SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)
Other interfaces	USB 2.0 (for user sets, looks etc.) Ethernet for service and web remote control EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)

ARRI ALEXA MINI

Image rental - RED Epic, Scalet, RED Rocket, Dragon Sensor

Super-lightweight carbon body
Exchangeable lens mounts
ALEXA sensor and image quality
Internal 4:3 & ARRIRAW recording
Integrated lens motor control and ND filters
Perfect for gimbals and multicopters
Future-proof technology with 4K UHD, HDR & HFR recording

ProRes 422, ProRes 422 HQ, ProRes 4444, ProRes 4444 XQ,
and ARRIRAW codec
REC 709 encoding (through use of look files), Log C
or ARRIRAW encoding
CFast 2.0 card recording
Up to 200 fps with full image quality
35 mm CMOS sensor in 16:9 or 4:3 modes
EVF with OLED eyepiece
Fold-away monitor for both live view and user interface access

Formats & FPS

SENSOR MODES	RECORDING FILE TYPE	RECORDING RESOLUTION		FINAL RESOLUTION	RECORDING DIMENSION (MM)	RECORDING FILE SETTING	max. FPS CFast 2.0
16:9	ProRes	S16 HD	1600 x 900	up-sampled to 1920 x 1080	13.20 x 7.43 - ∅ 15.14mm	LT - 422 - HQ	200
						4444	200
						4444 XQ	120
		HD	2880 x 1620	1920 x 1080	23.76 x 13.37 - ∅ 27.26	LT – 422 – HQ	200
						4444	200
						4444 XQ	120
		2K	2867 x 1613	2048 x 1152	23.65 x 13.31 - ∅ 27.14	LT – 422 – HQ	200
						4444	200
						4444 XQ	120
		3.2K	3200x1800	3200 x 1800	26.40 x 14.85 - ∅ 30.29	LT – 422 – HQ	60
						4444	60
						4444 XQ	30
		UHD	3200x1800	up-sampled to 3840 x 2160	26.40 x 14.85 - ∅ 30.29	LT – 422 – HQ	60
						4444	60
						4444 XQ	30
	MXF-ARRIRAW	2.8K	2880 x 1620	2880 x 1620	23.76 x 13.37 - ∅ 27.26	–	48
4:3	ProRes	2.8K	2880 x 2160	padded to (black pixels) 2944 x 2160	23.76 x 17.82 - ∅ 29.70	LT – 422 – HQ	50
						4444	50
						4444 XQ	50
	MXF-ARRIRAW		3424 x 2202 with “metadata” crop	2880 x 2160		–	30
6:5	ProRes	2K Anamorph 2.39:1	2560 x 2145	2048 x 858	21.12 x 17.70 - ∅ 27.55	LT – 422 – HQ	120
						4444	120
						4444 XQ	120
	MXF-ARRIRAW		3424 x 2202 with “metadata” crop	2560 x 2145		–	30
8:9	ProRes	HD Anamorph 16:9	1920 x 2160	1920 x 1080	15.84 x 17.82 - ∅ 23.84	LT – 422 – HQ	120
						4444	120
						4444 XQ	120
	MXF-ARRIRAW		3424 x 2202 with “metadata” crop	1920 x 2160		–	30
Open Gate	MXF-ARRIRAW	3.4K Open Gate	3424 x 2202	3424 x 2202	28.25 x 18.17 - ∅ 33.59	–	30

Technical Specifications

	ARRI ALEXA Mini
Camera type	35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for force motors, built-in motorised ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.
Dimensions	Length: 185 mm/7.3" Width: 125 mm/4.9" Height: 140 mm/5.5" (camera body with PL lens mount)
Weight	~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor	35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Active photo sites (with surround view)	S16 HD: 1600 x 900 (1760 x 980) HD: 2880 x 1620 (3168 x 1772) 2K: 2868 x 1612 (3154 x 1764) 3.2K: 3200 x 1800 (3424 x 1926) 4K UHD: 3200 x 1800 (3424 x 1926) 4:3 2.8K: 2880 x 2160 (3168 x 2160) 2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202) HD Ana.: 1920 x 2160 (3424 x 2202) Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
Shutter	Electronic shutter, 5.0° to 356.0°
Exposure latitude	14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index	EI 800 base sensitivity
Filters	Built-in motorized ND filters 0.6, 1.2, 2.1
Lens mounts	Titanium PL mount with L-Bus connector and LDS EF mount PL mount with Hirose connector and LDS B4 mount with Hirose connector(A)
Recording media	CFast 2.0 memory cards (128Gb & 256GB)
Recording formats	ProRes: S16 HD: 1920 x 1080 (up-sampled from 1600 x 900) HD: 1920 x 1080 2K Cine 16:9: 2048 x 1152 3.2K: 3200 x 1800 4K UHD: 3840 x 2160 (up-sampled from 3.2K) 4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160) Anamorphic ProRes formats with 2x in-camera de-squeeze: HD Anamorphic: 1920 x 1080* 2.39:1 2K Anamorphic: 2048 x 858* MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files): 2.8K 16:9: 2880 x 1620 Open Gate: 3424 x 2202* MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes: 4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)* 2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)* 16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)*** ) requires ALEXA Mini 4:3 License Key, ) requires ALEXA Mini ARRIRAW License Key, **) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys
Recording codec	ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW
Recording frame rates	16:9 ProRes HD 0.75 - 200 fps ProRes S16 HD 0.75 - 200 fps ProRes 2K 0.75 - 200 fps ProRes 3.2K 0.75 - 60 fps ProRes UHD 0.75 - 60 fps MFX/ARRIRAW 16:9 2.8K 0.75 - 48 fps 4:3 ProRes 4:3 2.8K 0.75 - 50 fps 6:5* ProRes 2:39:1 2K Ana. 0.75 - 120 fps 8:9** ProRes HD Ana. 0.75 - 120 fps Open Gate MFX/ARRIRAW 3.4K Open Gate 0.75 - 30 fps * 4:3 cropped ** Center crop from anamorphic (1) Minimum frame rate is always 0.75 fps (2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)
Color output	Rec 709, custom look or Log C
Look control	Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Adjustable image parameters	Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control	Peaking, zebra, false color, waveform
White balance	Manual and auto white balance
Sound level	less than 20 dB(A) at standard frame rates
Environmental	-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics
Viewfinder	Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1
Control interface	Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.
ARRI lens motor control	Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive
Wi-Fi remote control	Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom control	Optional GPIO interface for integration with custom control interfaces
Power input	Lemo 8-pin, 10.5-34 V DC
Video outputs	2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.
Inputs	SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)
Other interfaces	USB 2.0 (for user sets, looks etc.) Ethernet for service and web remote control EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)

-Top-